The Way the Future Blogs

Jack Williamson at Cinvention, 1949.

Well, no, it doesn’t, or at least it doesn’t begin quite right away, because in order to describe how Jack Williamson and I became really tight lifelong friends, I have to digress by telling you something about another dear friend, Dirk Wylie.

Dirk — old Brooklyn Tech chum, fellow Futurian, et many a cetera — didn’t have nearly as nice a war as most of us did. When, in 1946, he was at last a civilian he had a souvenir acquired in the Battle of the Bulge which left his spinal column always painful and frequently incapacitating. He had a full disability pension, but he was still in his twenties and in full possession of his faculties. He spent the first time after the end of the war going through hospitals and doctors and courses of treatment. But when nothing cured his spine and the medics told him he was as good as he was going to get, he wanted a job.

So one day, he and I conspired to see what he could do. It was impossible for him to go out to work, so it would have to be something he could do at home. If possible, it should have something to do with his interests in writing and publishing. On consideration we took the easy way out. We made him a literary agent.

I knew that was easy, because I had done it myself as a teenager. Of course, I hadn’t made any money out of it, though it did lead to my first editorial job, but I had some ideas that should produce a growing, though initially small, income for Dirk, and with his disability pension he could weather the thin times. So we rented a mail drop at a good address on Fifth Avenue in New York, and we printed up some stationery listing Dirk as the agent and me as an assistant (because I had promised to help him get started), and we were in business.

All we lacked was clients.

Fortunately for us, the climate was favorable. Book editors in America had always turned a blind eye to science fiction. But the times were prosperous, and a few fan groups had started publishing some of those great old serials as hardcover books. Startled salesmen for the real publishing companies had noticed that these oddities seemed to sell when the amateurs could get them into a store. When they got back to their home offices, they reported this fact to their company’s editors. Who scratched their heads, cautiously tried a title or two and realized there was some money to be made in this sf thing.

Accordingly, Dirk and I wrote letters announcing this new fact to all the pro writers we could think of. Jack Williamson was one such, and he responded by shipping us a couple of his own stories that he thought might work in this exciting new format. (They did.)

The first of them was a manuscript stitched together from two long novelettes Jack had recently sold to John Campbell’s Astounding, “With Folded Hands…” and “…And Searching Mind.” I tried them out on Jack Goodman, the managing editor at Simon & Schuster. Goodman (I should finally confess, since it no longer matters) was one of the most terrifyingly intelligent human beings I have ever met, and in my dealings with him I was always aware that, with his smarts and his vast publishing experience, he could swindle me and my clients whenever he chose. Fortunately, he didn’t choose. His offers were all fair, in line with what other publishers were agreeing to.

When the book came out, retitled The Humanoids, it did well. That sale was the first of many for Jack through our agency.

And that was what developed into one of the most cherished friendships of my life.

 
To be continued. . . .

 
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From the blog team:

Fred wins!

Robert Silverberg accepts the 2010 Best Fan Writer Hugo Award on behalf of Frederik Pohl at Aussiecon 4. (Photo by Laurie D.T. Mann.)

2010 Hugo Award Winners

Best Fan Artist
Brad W. Foster

Best Fanzine
StarShipSofa, edited by Tony C. Smith

Best Fan Writer
Frederik Pohl

Best Semiprozine
Clarkesworld, edited by Neil Clarke, Sean Wallace and Cheryl Morgan

Best Professional Artist
Shaun Tan

Best Editor, Short Form
Ellen Datlow

Best Editor, Long Form
Patrick Nielsen Hayden

Best Dramatic Presentation, Short Form
Doctor Who: “The Waters of Mars,”
written by Russell T. Davies and Phil Ford, directed by Graeme Harper (BBC Wales)

Best Dramatic Presentation, Long Form
Moon, screenplay by Nathan Parker; story by Duncan Jones, directed by Duncan Jones (Liberty Films)

Best Graphic Story
Girl Genius, Volume 9: Agatha Heterodyne and the Heirs of the Storm,
written by Kaja and Phil Foglio; art by Phil Foglio,
colors by Cheyenne Wright (Airship Entertainment)

Best Related Book
This Is Me, Jack Vance! (Or, More Properly, This is “I”)
by Jack Vance (Subterranean Press)

Best Short Story
“Bridesicle” by Will McIntosh (Asimov’s Jan. 2009)

Best Novelette
“The Island” by Peter Watts (The New Space Opera 2, Eos)

Best Novella
“Palimpsest” by Charles Stross (Wireless, Ace, Orbit)

Best Novel (tie)
The Windup Girl by Paolo Bacigalupi (Night Shade)
The City & The City by China Mieville (Del Rey; Macmillan UK)

John W. Campbell Award for Best New Writer
Seanan McGuire

Congratulations to all the winners!

“A kind of Wagon Train in space. . . .”

The Man Who Launched the Enterprise

      Majel Barrett and Gene Roddenberry.

I was pretty satisfied with Tricon, the Worldcon in Cleveland in 1966. When it was over, I had had a chance to hang with many old friends, I had had a few talks with writers I wanted to juice up for the magazines I was editing, Galaxy and If, and I had picked up another Hugo Award — this one a “Best Magazine” award for If. I was aware that there was a lot of stuff going on that I had missed — like the showing of the pilot episode of something called Star Trek — but I had received an information package about it from its producer, somebody named Gene Roddenberry, and he had described it as “a kind of Wagon Train in space.” That didn’t awaken in my soul any desire to see it.

True, Roddenberry himself sounded sort of interesting: A B-17 pilot with 89 missions in the South Pacific in World War II, later a sergeant in the Los Angeles Police Department, who began writing TV scripts in his spare time. But by then I had had a fair number of dealings with TV people on my own, and they hadn’t impressed me with the breed. I wasn’t enough interested to offer to buy him a drink.

Then, in 1969, I won another Hugo for If and Star Trek won a Hugo of its own, and I got an idea. The most conspicuous thing about television was that their numbers were at least an order of magnitude larger than ours at the magazines. So why shouldn’t I try to get in on some of those large numbers, perhaps by obtaining the rights to publish an occasional story based on a Star Trek episode in one of my magazines? Would any of those numbers rub off on us?

I didn’t know that they would. On the other hand, I didn’t know that they wouldn’t. So I wrote Gene a letter, outlining what I had in mind and suggesting that he and I get together to talk it over. He responded at once with, “Sure, let’s.” And a week or two later, when I had been planning to be in L.A. for the purpose of urging some writers on anyway, I drove my rented convertible up to the gate at the Desilu lot, where Star Trek was filmed, and told the armed guard that I was here to see Mr. Roddenberry.

* * *

Gene turned out to be friendly, smart and obliging. He thought my plan could do nothing but good for both parties, and he thought it should be put into practice right away.

The only thing wrong with that plan, he told me, was that he didn’t have the authority to okay it. That belonged to the higher-ups in the company’s Byzantine Hollywood corporate structure. Star Trek didn’t own itself. It was owned by Paramount Pictures, which would have to approve the plan. Unfortunately, though, even Paramount’s approval didn’t mean I could start commissioning stories, because they, too, were owned, this time by the sprawling Gulf & Western, sometimes called Engulf & Destroy.

“So how long until we get a decision from Gulf and Western?” I asked, as politely as possible.

“Oh, you never know that,” Gene said. “Sometimes not too long. But anyway, as long as you’re here, I’ve got a photographer standing by. Mind if he takes a few pictures?”

I didn’t, and for a prop Gene picked his Hugo from the Worldcon off the shelf and we passed it back and forth for a dozen or so photographs — me awarding it to him for some, and then Gene awarding it to me (but with the lettering on the base carefully concealed) on the rest. And then I went on with the rest of my West Coast obligations.

Gene had invited me to try writing a script for the series. I did try, but without much luck. Perhaps the problem was that I didn’t really like the idea of another barrier between me and the audience — that is, a director and a bunch of actors — or perhaps I just wasn’t into network television, having already had my share of disillusioning experiences with it. Anyway, for some reason I just was no good at it. Still, that — and the hope that Engulf and Destroy might ultimately come up with the okay for us to do some of the stories — meant that I was in the habit of visiting Gene every time I hit L.A., which was always a pleasure. . . .

Well, almost always. There was the time when he invited me up to his home for lunch, high over Hollywood, where he lived with his wife, better known as Majel Barrett when she had appeared as Nurse Chapel in the series. It was a handsome house, with a grand view of the city spread out below. The furnishing was handsome, too, including the deep-pile, snow-white carpeting in the room we were in. Majel asked me whether I preferred white wine or red. I took the red. Then I almost immediately knocked the glass over, spilling the whole glass of that deep red wine onto the still deep-pile, but no longer snow-white, carpeting.

Majel was a sweet-tempered woman. The proof of that is that she didn’t snatch up one of the cheese knives and cut my throat on the spot.

I used to see Majel every once in a while at dinners of the local space society, where she was an honored guest. She spoke to me without rancor, which is proof, again, that she had totally forgiven me. (It is impossible that she simply forgot what I did to her beautiful white carpet.)

* * *

Star Trek had a good first year and a somewhat less good second year. For the third year it got canceled.

This sort of event is by no means unusual in the bloodthirsty world of network TV, but Gene wasn’t prepared to take it lying down. So he and some confederates concocted a plan to keep the show on the air for a while.

One of the confederates turned out to be me. To find out more about it, however, you’ll have to wait for the conclusion of this essay. That will be coming up in this blog before long, but not until I get around to writing it.

To be continued. . . .

 
Related posts:
Raising Star Trek from the Dead

Jack Williamson
 

The first “Worldcon” wasn’t quite as globally representative as one might have wished; I don’t know that any of the attendees came from any country but the U.S.A and, maybe, Canada. But it was the last chance we had for a real international gathering, because that year of 1939 was the beginning of that event that interfered with everyone’s plans for that sort of frippery, namely World War II.

America didn’t get involved in actual combat until Japan took its ill-advised crack at Pearl Harbor, late in 1941, but that was the end of even the so-called Worldcons. Most fans were male and mostly in their late teens or early 20s, and thus the natural prey of the draft. So, whether called up or volunteering, most of us were soon wearing uniforms.

By 1943, both Jack Williamson and I were in the Air Force and both had wound up as weathermen. I was just beginning. After doing basic training in Miami Beach, I was ordered to Chanute Field, Illinois, to learn how to read a theodolite, plot a synoptic map, operate a teletype and release a hydrogen-filled pilot balloon to investigate the velocity and direction of the winds aloft, after which I would be sent to join some weather station in the capacity of its lowest professional level, as a weather observer, Army Specialist Number 784.

Meanwhile, Jack, ahead of me as ever, had already done that a couple of years earlier. He had then served as a working observer at an actual weather station in the field, until he applied for promotion as a weather forecaster, ASN 787. This required going back to Chanute Field for additional training, and, by the grace of that useful Someone, his orders put him there over the same weeks as mine.

I don’t mean to exaggerate the significance of this chance meeting. It wasn’t a case of two dear buddies getting together for a long-desired reunion. We barely knew each other. What’s more, we didn’t have much free time on either of our schedules, and what one of us did have didn’t always mesh with the free time on the other’s. But I think we both enjoyed the chance to talk science fiction again, even if briefly.

Then our courses ended. Jack went off to an American air base on the way to his permanent assignment, which was to be forecaster for a landing strip on one of the myriad tiny islands that usefully dot the Pacific Ocean for the benefit of bomber crews that can’t quite make it home after a mission, while I went off to spend a year at the weather station on the base at Enid, Oklahoma, before my orders for Italy came through.

Then the war ended. (How quickly I write that down … and how slowly that event arrived in the real world.) All of us now being civilians once more, I wrote a letter to Jack that started one of the longest-lasting and most rewarding relationships of my professional life.

None of that might have happened, though, if it hadn’t been sparked by what was happening in the life of the person who was then my oldest friend, Dirk Wylie. But for that we need a digression, which will happen in Part Next (of I don’t know how many) in the Jack Williamson story, coming up shortly after I get it written.

 
To be continued. . . .

 
Related posts:

Jack the Wonderful Williamson: Part 1, Part 2, Part 4

Jack Williamson, center, outside Nycon 1, the first Worldcon.
The worshipful fanboy at the left is me.
 

I did by chance run into Jack Williamson, briefly, at the first-ever Worldcon in 1939, which was in the same summer as New York’s first World’s Fair — and which Donald Wollheim had proposed we New York fans should use as the opportunity to convene a World Science Fiction Convention in the hope that it would attract some foreign fans who would be coming to our city for the Fair anyway. Mark the fact that the original idea had come from a Futurian.

But in the remorseless fan warfare of the period the other guys had more votes than we did, so they took it away from us, and the reason that first actual contact was “briefly” is that seven of us, me included, were unfairly ejected from the actual meeting. “Unfairly” because we were thrown out for something we hadn’t done. Dave Kyle had done it, and he was allowed to stay. As it happened, I then spent the time of the con in the bar next door, where most of the writers wound up anyway, but Jack didn’t happen to be one of them.

However, we Futurians were nothing if not resourceful. On the spot, we created a meeting of our own for the next day and invited all those attending the actual con to come to ours as well. On such short notice the only hall we could secure for our meeting was in remote Brooklyn. A fair number of the fans present managed to get there, but only one of the actual writers.

That one writer, though, was the always adventurous Jack Williamson.

Since he was clearly the star of our meeting I wasn’t lucky enough to have much one-on-one time with him, but we all had a free and easy several hours of chatting, and I think most of those present were glad they had come — although if they had known in advance that the hall we had secured, the only one we could get on short notice, was primarily the headquarters of the local Communist Party, there might have been some qualms.

 
To be continued. . . .

 
Related posts:

Jack the Wonderful Williamson: Part 1, Part 3, Part 4

My dear friend Jack Williamson, who died a few years ago, was ten or eleven years older than I, and I didn’t actually meet him — in the flesh, that is, though I certainly knew and revered him through his wonderful stories — until he was an elderly 30 and I was 19, and just beginning a life of my own. Jack, of course, had been living his own life for a decade or more, and an interesting life it was: coming to New Mexico in a covered wagon as a child., sailing down the Mississippi with another writer , finding the love of his life when they were kids — and then losing her — and finding her again when she became widowed. But as I wasn’t there for those busy times I can’t tell you about them.

Fortunately Jack himself could, and did in his marvelous autobiography, Wonder’s Child, which you should get your hands on and read. For me, the personal story of John Stuart Williamson begins with the first World Science Fiction Convention, in New York City in 1939, which Jack attended, and I and six other Futurians were thrown out of. (That’s a long story that I’m getting a little tired of telling, but I’ll do it by and by for the blog — and anyway it’s in my own autobiog, The Way the Future Was. Which is out of print but will be available real soon now as an ebook from Baen. Don’t worry, I’ll mention it in the blog when it is available.)

Actually, although I had never knowingly been within a thousand miles of Jack in the flesh, he had in fact already caused one significant change in my life. At the age of ten or eleven I was already hooked on sf. In those years science fiction in America came only in the form of the canonical pulp-paper magazines Amazing, Wonder (under several variations of title) and Astounding. I was able to afford all three only because I was able to buy them for a nickel or a dime apiece in a second-hand magazine store. (Depression days, remember. There were second-hand everything stores everywhere.)

That was fine for me until 1931, when I had a stroke of good — or more accurately of bipolar, mixed good and bad — luck. The good part was that someone had parted with his copy of the current Amazing while it was still on the stands, and so I had read the first half of a two-part serial at the same time time as the rich people. That serial was Jack’s The Stone From the Green Star. The bad part was that God alone knew when the next issue of Amazing, with the conclusion of the story, would fall into my hands. It might be months, might even be a year or more.

Could I stand waiting that long to learn how it all came out?

I could not. I had a way of dealing with the problem, though. My lunch allowance was 25¢ a day, enough for a 20¢ Western sandwich at the cafeteria down the street and a 5¢ glass of milk to wash it down. All I had to do was skip lunch for one day of the next week and that brand-new Amazing was mine. I didn’t hesitate. I did it. I never regretted it, either.

It is true, of course, that in the judgment of most authorities The Stone from the Green Star is by a wide margin the least of Jack’s novels. But what did I know? I was eleven years old, and addicted.

 
To be continued. . . .

 
Related posts:

• Jack the Wonderful Williamson, Part 2, Part 3, Part 4