Posts tagged ‘Poetry’

 
Brave New World, narrated by Aldous Huxley

This recording is only thematically related to this post,
but we thought you might like it, anyway.     Side 1     Side 2

 
 

The Brave New World Cantata

One cubic centimeter cures ten gloomy sentiments.
Was and will
Make me ill
I take a gram and only am
A gram is better than a damn
A gram in time saves nine.

—words by Aldous Huxley, arrangement by Frederik Pohl

 

(Actually, it’s meant to be sung as a round, but I’m not real sure it can be.)

 

Gulf of Mexico oil slick five days after the April 20 explosion of BP's Deepwater Horizon drilling platform. (NASA/MODIS Rapid Response Team photo.)

Gulf of Mexico oil slick five days after the April 20 explosion of BP’s Deepwater Horizon drilling platform. (NASA/MODIS Rapid Response Team photo.)

 
 

Aloft in Cosmic Magnitude

Aloft in cosmic magnitude
There is a planet made of wood
Its people neither spin nor toil,
For they are living blobs of oil
Along mahogany streets
They ooze
And never travel save in twos
For they get lost without their maps
Since they are really naught but saps.

—Donald Allen Wollheim, ca. 1935

 

I don’t know if you’ve ever met Vince Monte, who holds the title of My No. 1 Fan. He’s a well informed person with a collection that, apart from foreign editions, is much better than my own, and when he asks a question, I do my best to answer it.

This time the question had to do with pen names, of which I admittedly have, over the years, used a number. Vince sent me a list of 14 names that I have at some time or other used, and what is noteworthy about the list is that it does not include Frederik Pohl, a name I have used quite often. So let me try to answer Vince’s question, as follows:

  • Ernst Mason
    This is the name I used for my nonfiction biography of the Roman emperor Tiberius. I wanted a name that was not identified with me or with science fiction, though when I then wrote about Tiberius for the Encyclopedia Britannica, the editor encouraged me to go back to my own name. Ernst Mason was created by taking the family name of my maternal grandfather, William Mason, and adding it to the given name of my paternal one, Ernst Pohl.

  • S.D. Gottesman
    Name used on some early collaborations with Cyril Kornbluth. He picked it, I think taken from the name of one of his high-school teachers.

  • Dirk Wylie
    Not my name, the name taken by my high-school pal Joseph Harold Dockweiler when he got tired of the name his parents had picked for him. The precipitating incident was the plan of Dirk, Dick Wilson and Don Wollheim to rent an apartment together, and Dick and Donald demanded that Dirk had a name starting with a D.

  • Charles Satterfield
    Horace Gold laid this one on me. He wanted me to use a new pseudonym for one of my stories in Galaxy, I said I was tired of inventing pseudonyms, he said, “Then I will.” He had a prizefight going on the TV, Ezzard Charles against Bob Satterfield, and he said, “There’s your name.” What we didn’t know was that there was a real man named Charles Satterfield, but he apparently never saw the story, or didn’t care.

  • Jordan Park
    Jordan Park was a pen name of Cyril’s. I just wrote part of one Jordan Park story.

  • Paul Dennis Lavond
    Used for a few three-way collaborations; P for Pohl, D for Dirk, L for Lowndes.

  • Elton Andrews
    Sometimes Elton V. Andrews, once or twice just the initials, eva. My first professional sale, a poem to Amazing Stories, was signed with this. I have no idea why I picked it.

  • James MacCreigh
    My most frequently used pen name, not just for sf but for other pulps and for my first attempts at non-pulp sales.

  • Edson McCann
    Joint penname with Lester del Rey. After we had written the book we used that name on, Lester realized that the name could be written as EM.CC and read, if we chose, as E = mc2.

  • Donald Stacy
    I think, repeat THINK, that this was the name (or pseudonym) of someone who had written a novel about TV called The God of Channel One, which Ian Ballantine had bought but was dissatisfied with and asked me to do a rewrite on.

  • Paul Flehr, Warren F. Howard, Scott Mariner
    They sound sort of familiar. I think I did use them, but I don’t remember where or why.

There may have been others.

When I was quite new to all this, I confess I had a romantic view of pseudonyms. By “romantic,” I mean as in a boy-meets-girl scene like this one:

I imagined myself sitting at a soda fountain — I didn’t say cocktail bar, I said soda fountain, which gives an idea of how old I was — and there was an extremely good-looking girl sitting a stool or two away, reading a story of mine, and my plan was to wait until she had finished it and then let her knows that the pen name on the story was me.

Never happened, though. Probably just as well. My wife probably wouldn’t like it.

 
Illustration by Leah A. Zeldes

Since there have been few outright riots to protest previous doses of verse in the blog, I’ll try one more installment, a sort of free-form Petrarchan sonnet called “Shaft.” I’ll let the poem speak for itself.

Shaft

Through a die one-sixteenth of an inch in diameter drawn
Cold when drawn, emerging smoke-hot, a metal strand.
This and a thousand others woven tight together,
Attached to an electric winch and to a car.

A hole is bored through sheets of blueprint cap.
Created then, a steel and stonework frame to fit,
Straight up and down three hundred feet, the pit,
The womb of emptiness, becomes a fact.

Then blindly humans enter, wary men.
Yet blind. Ascending viciously, they viciously go down.
To rise, to fall, on vicious errands.

Iron cord in an iron-bound vacuum.
Iron consciousness, inflexible and dull.
Iron all (vicious), iron (vicious) all.

I hope you didn’t hate it too much. I would have been maybe 17 when I wrote it.

 
Related posts:

Here are a couple of quatrains, the first from the smallest fanzine ever published (one 8½-by-11 sheet, folded twice to make eight 4¼-by-5½ pages), my own Mind of Man, ca. 1936:

Necroptic life, in Thursday bliss,
Exploits a winnowed worker’s brawn
While taurine canines gently kiss
With urine the aureuscid lawn.

— Frederik Pohl

While the other is the only complete verse by Cyril Kornbluth that I remember. Date unknown, but probably close to the above.

Gym Class

One, two, three. four,
Clap your hands and prance
In stinky shirt and stinky shoes
And stinky little pants.

—C.M. Kornbluth

Related posts

 

The Futurians, 1938

Some of the Futurians at my apartment in 1938. From left, front row: Joseph Harold Dockweiler aka Dirk Wylie, John B. Michel, Isaac Asimov, Donald A. Wollheim; center row: Chester Cohen, Walter Kubilius, me, Richard Wilson; top row: Cyril Kornbluth, Jack Gillespie, Jack Robins.

The “Quadrumvirate,” for most of its existence, ran the Futurians. We accreted to the club and to each other by adhesion to other clubs; the first was G.G. Clark’s Brooklyn Science Fiction League, which Donald Wollheim and Johnny Michel had left a shambles after they had kidnapped most of its members, one of them being me; then we began sending radar signals to individuals to seemed to be our kind of people, by which we mostly meant the kind of fan who desperately wanted to become a pro.

We found one of these in Connecticut in a person who was then a member of FDR’s Civilian Conservation Corps, because the CCC not only gave him three hots and a cot for planting trees and doing other things for the environment, it also sent some money back to his family who could use it (remember, this was the time of the Great Depression). That was Robert A.W. Lowndes. Before long, he was able to change jobs, becoming a hospital orderly (thus his nickname of “Doc”) and then he made it to New York and the Futurians.

Continue reading ‘The Quadrumvirate’ »

C.M. Kornbluth

C.M. Kornbluth

I think Cyril Kornbluth knew he wanted to be a writer at the age when most of us did, that is in his early teens. His first efforts, or at least the first I knew anything about, weren’t stories. They were poems.

He owned a book, written by one of his high-school teachers, I think, which gave the rules for composing every kind of verse I ever heard of. Cyril and I studied the book and resolved to write one of each. We made a good start, actually writing a haiku (we spelled it “hokku”), a villanelle, a sestina, two sonnets (one Petrarchan and one Shakespearean) and I think a couple of others. We bogged down when we came to the chant royal (the chant royal is HARD) and, like most of the other Futurians, we decided to try our luck with science fiction. At that time, I think Cyril was maybe 14, and I three or four years older.

If Cyril had favorites among his stories, he didn’t tell me about them. He did take his work seriously and got really testy when editors messed them up. (Particularly Horace Gold.)

Cyril had excellent work habits. When he sat down to write he wrote. I am not aware that he ever sat unproductive, staring into space, for more than a few minutes at a time before putting words on paper, and he rarely rewrote.

F&SF, Jan. 1959
Although Cyril was doing reasonably well in economic terms, he suffered the usual beginner’s cash flow problems. A writer’s income does not arrive in the form of a check delivered every Friday. It comes in lumps of various sizes at irregular times and (with two kids) Cyril felt the need of a more regular income. Happily, he had been offered an assistant editor job on F&SF, which he took and liked a lot. The job included being first reader for the editor, Bob Mills, and Cyril took pleasure in finding something worth passing on to Mills. (He was, I remember, particularly delighted with Fritz Leiber’sThe Silver Eggheads.”)

Unfortunately Cyril’s health was deteriorating. Partly this was due to the quantities of coffee, cigarettes, hot pastrami sandwiches and alcohol he had been ingesting since his teens, but mostly it was due to the war. Cyril’s draft number had come up early, but he caught a break. He had worked for a time in a machine shop and thus had experience of operating metal-working machinery. This was just what the artillery people wanted, so they recruited him to work in cannon-repair shops, always located far enough from the front lines that the enemy couldn’t sweep down in a lightning raid and steal the precious machines. It was the kind of a safe and cushy job that several million GIs would have traded their right testicle to get, but in 1944 what looked like a better deal came along.

Higher-ups in the Army’s command circles were calculating that the war was likely to last for years yet, and if so there might be a serious shortage of college-educated candidates to serve as commissioned officers. They didn’t want to get caught short of these valuable resources, so they quickly set up what they called the Army Specialized Training Program, under which the GIs lucky enough to be accepted would be relieved of all duties except going to college. This sounded like a dream of heaven to most GIs, not least because the service’s unrelenting drafts of manpower had left most college student bodies heavily weighted with an excess of young single women.

Cyril applied, was accepted and went happily back to school, though in uniform … until some person higher still than the higher-ups noticed that both the Germans and the Japanese were losing most of the recent battles, and the war might end sooner than they had feared. So ASTP was peremptorily abolished and all its personnel transferred willy-nilly to the infantry. For which branch of service the Army had a great and unanticipated immediate need, since Hitler had managed to launch an immense surprise Christmas attack on the unsuspecting Allied troops in the Ardennes Forest.

His Share of Glory: The Complete Short Science Fiction of C.M. Kornbluth
So Cyril, who was always a slightly pudgy and definitely unathletic young man, found himself lugging a 50-caliber machine gun around the freezing temperatures and unremitting combat of the Battle of the Bulge. He survived, having acquired for his efforts, 1) a Bronze Star, and 2) a serious case of what the medics called severe essential hypertension.

The hypertension won. Cyril’s editorial career was cut short — a pity, because he would have been an outstanding one. Early in spring of 1958 he had a meeting scheduled with Bob Mills in New York. It had snowed heavily in Levittown, where Cyril lived. He had to shovel out his driveway, which made him just barely able to catch his train, so he ran to the train station and died of a heart attack on the platform.

 
C.M. Kornbluth works online

C.M. Kornbluth on Amazon

exclamation point

A while ago, I gave some early examples of my poetic period (which, roughly, lasted from age 14 to age 19, with a few later relapses). One was a sort of puzzle, entitled “!” which went like this:

                      !

                 ,   ,   &
                ! my frand
                ;  $
                - - . . . . . . . 

Some of you managed to interpret this pretty well, but for those who didn’t, I will read it to you:

                “!”

Or “Continue reading” for a translation.

Continue reading ‘Verse Decoded’ »