The Way the Future Blogs

The Battle of the Bulge left Dirk Wylie unable to hold a regular job, so we made him — and ultimately, me — into a literary agent.

After World War II had grabbed most of us Futurians by the scruff of the necks and flung us to various odd destinations in all sorts of unexpected parts of this planet of ours, it did, somehow get itself ended and there we were, civilians again, and back in New York. I had had a relatively undemanding war, ending up with doing public relations at the Mediterranean Theater of Operations in Caserta, Italy (with my spare time spent in a resort hotel on the slopes of Mount Vesuvius). Dirk Wylie, however, hadn’t had anywhere nearly as nice a war as I did.

Dirk’s war hit bottom in the early winter of 1944–45. That was when Hitler’s Wehrmacht made one last attempt to take back control of the western front in the Battle of the Bulge. It was a vicious and protracted fight, and Dirk, then an MP sergeant, was in the middle of it. This cost him. At one point, he jumped hastily out of a truck and landed in a very wrong way, doing something seriously bad to his spine.

That was the end of the war for Dirk, and the beginning of years of hospital stays and unremitting pain.

By the late 1940s, he was discharged from the New York-area Veterans Administration hospitals — not because he was cured but because there was nothing more they could do for him. Now Dirk was a civilian again, with one unanswerable question: What was he to do with the rest of his life? A normal nine-to-five job of any kind was pure fantasy. The only good part of the situation was that he didn’t need to make much money. The Veterans Administration had recognized their obligation to him and awarded him a substantial pension. But a living wage wasn’t the whole of Dirk’s needs. He was just barely out of his twenties, and didn’t like the prospect of doing nothing for the rest of his life.

I spent a lot of time with Dirk and his wife, Roz, discussing that question, and we came up with an idea that seemed worth pursuing. He could become a literary agent.

 
There are all kinds of literary agents. Some of them can do very good things for their clients, making sales for them that the writers would not have made by themselves and sometimes acting as story coaches to help their clients write more salable material. Others (as my mother used to say when totally exasperated) are not worth the powder to blow them to Hell.

So what made the difference between the saviors and the total wastes? One, a good agent needed to know the market. Two, s/he needed to know good work from bad. Three, s/he needed to be able to let clients know how to tell the difference between good and bad, too, and how to encourage them to get better.

Of course, Dirk didn’t have personal knowledge of all these things, although, as a Futurian, he had been exposed to a fair amount of shop talk over the years and had made a few sales himself. But what he did have was me.

Continue reading ‘How I Lost My Oldest Friend
(and Gained a Literary Agency)’ »

Cyril Kornbluth’s death came as a very bad thing that had suddenly happened to all of us, but it wasn’t really a surprise. Cyril’s doctors had told him, definitely and explicitly, that his heart had been worn out in the Bulge. It was barely able to continue to pump blood around its system.

It wouldn’t go on doing it, either, unless Cyril made some revolutionary changes in his lifestyle. Step One: no more cigarettes, coffee or alcohol — ever — for the rest of his life. Very, very limited amounts of spicy foods, and even more limited amounts of salt. Any deviation from any of this, ever, would have about the same effect as putting a gun to his temple and pulling the trigger. He would very quickly die.

Cyril took what the doctor told him seriously. He even tried to follow the doctor’s orders. When he came out for a brief stay with Carol and me, Carol baked him salt-free bread and cooked him fully dietary meals. Cyril ate them, without showing any signs of pleasure — I could see why, because I had tasted them for myself.

We didn’t do any writing, though. We didn’t even do any talking about writing. When I tried to get something going by showing him a section from my current work that I wasn’t feeling good about, Cyril took the pages from me and scanned them. Then he handed them back to me. “Needs salt,” he said.

And he went home, but, of course, Cyril just couldn’t live that way.

He stuck it out as long as he could, perhaps as long as a couple of months, and then he decided that he’d rather be dead than living like that. So back came the booze and the cigarettes and the salt shaker and all the other things that made Cyril’s life worth living and sure enough, next thing you know, his limbs were jerking and his eyes were rolled up in his head and he was busily dying on the train station platform.

 
All right. End of story for Cyril. The new major characters were Mary and the boys.

Cyril and I had had our ups and downs, but we had been through too much together for me to even consider walking away from their needs. I got dressed and jumped in the car and drove, as fast I could, through the hundred miles or so of rush-hour traffic between Red Bank and Levittown. Mary was waiting for me at the door, quite distraught — but, blessedly, sober.

First thing, we had to decide what on that list most urgently needed doing. There were a lot of contenders for the top need. She needed money for buying stuff, mostly food, for the kids and herself that day. They needed money, lots of it, to keep on providing for herself and the kids for the rest of their lives.

They needed to know what to do with Cyril’s corpse, which was, if I remember correctly, at that moment in the back of a station wagon borrowed from somebody in the Levittown Fire Department and parked at the curb in front of the house. They needed to know if there were documents to file, as there surely were, to properly record the fact that Cyril was now one with the ages.

That wasn’t the end of the urgent needs, but it was sort of at least the end of the easiest ones. We had some big, big breaks. What I had been dreading as the toughest of problems to deal with turned out to be the easiest. Mary wasn’t the first widow of a GI to fine herself in exactly that situation. She might’ve been about the one millionth. The government itself had set up the Veterans Administration to make sure that everything a veteran needed was available to give and, since negotiating with even a friendly government agency can curdle your blood, a horde of new veterans’ organizations produced a ton of smart, energetic, can-do volunteers to get the widows and orphans all the help they needed.

“What you’re entitled to, Mrs. Kornbluth, is so much for yourself and so much for each of your sons. It takes a little while to get started, though. Do you need money right now? Of course you do. There’s a special emergency lump-sum package we can get for you. I’ll start on that right away.”

They were, in short, wonderful. They almost made me cancel my intention to never join the beer-bellies of any veterans organization. But not quite.

The last disposition we had to deal with that day was Cyril himself. Happened my maternal grandfather, that bald and stone-deaf old man who had lived with us for part of the last years of his life, had been cremated near by. I checked some addresses and made a few calls.

And then Mary and I went to the front door of the crematorium, the station wagon with Cyril’s body tagging along behind. Somebody took the wagon and Cyril to the back entrance, while Mary and I were seated in a small auditorium, maybe fifteen or twenty seats, facing a drawn curtain. Music was playing. It didn’t take long. The drawn curtain rolled back. There was Cyril, looking very grave but otherwise about as he always looked, in a shirt, tie and jacket in one of those cardboard “coffins” they use for cremations.

They gave us a few minutes to look at him. Then Cyril and his casket began to roll away, into a pair of double doors that had rolled open behind him. I think we actually saw flames. I know we definitely felt heat. Then the double doors closed and the curtain came back down, and that was the last I ever saw of Cyril.

At some point Mary got a cardboard carton, not unlike the packaging that your milk comes in from the supermarket, that contained Cyril’s ashes. I don’t know what she did with them.

Part 3 coming up soon

 
Related posts:

• Mary Kornbluth, Part 1, Part 3
• Cyril

The continued life and loves of Isaac Asimov

Janet Jeppson and Isaac Asimov (Photo by Jay Kay Klein.)

There was one woman whom Isaac met in that period when his marriage to Gertrude was crumbling but had not yet got to the stage of a divorce who became both large and permanent in Isaac’s life. She was a New York psychiatrist named Janet Jeppson, who now and then wrote science fiction.

Janet and Isaac had once or twice bumped into each other at science-fiction events in the city, but nothing much came of it until they were both present at an annual banquet of the Mystery Writers of America. They found themselves talking mostly to each other, and thereafter Isaac regarded her as a good friend — at least until he came to regard her as the woman he would wholeheartedly love until the end of his life.

I didn’t at the time know Janet, and I was pretty curious about this woman who had so smitten the normally somewhat reticent Isaac Asimov. Isaac was, also uncharacteristically, always willing to talk about her; in fact you could say that Janet was his favorite topic of conversation in the years around 1970. When, a little overloaded with Janetiana, I finally asked him why she was incontestably the most desirable woman in the world for him, he thought for a moment and then said, “Because Janet has never once failed to make me feel welcome.”

One story Isaac told me says something about the degree of Isaac’s growing devotion to her — and about some of the problems that come with a degree of public recognition. Isaac had just finished delivering a lecture to a group in Boston when he got a phone message to say that Janet had collapsed with some sort of a brain problem in New York and was now in the emergency room of a hospital. There were few details. Shocked and frightened, Isaac said a quick goodbye to his hosts, ran out of the building, jumped into his car and was off.

It is a good couple of hundred miles from Boston to New York, with good highways but highways that are exceptionally well policed. It is astonishing that Isaac wasn’t pulled over along the way because the length of time he took to make the trip was incompatible with speed limits, but he got to the hospital in one piece and managed to locate Janet’s doctor. Who said, “Yes, I’m Dr. Jeppson’s attending and I’ll take you to her, but first, Dr. Asimov, may I tell you how much I’ve always enjoyed your Foundation stories?”

Isaac being a nonviolent person, he didn’t cold-cock the man. And he did get to see Janet, and she recovered from what had caused her collapse.

 
Unfortunately that was not the total of their medical problems in that period. In 1972, Isaac discovered that there was something going on in his thyroid gland that might well be malignant, requiring dietary changes and medications to take, while Janet found a lump in her breast that was definitely so, requiring surgery.

That made a problem in Isaac’s mind, because he had always admitted that he couldn’t stand the sight of blood or of the visible results of surgery. (That was one of the things that had made his long-ago rejection by the medical schools quite bearable.) He was sure that the removal of one of her breasts would make Janet worry that her body would become repulsive to him.

He was also sure that that could not happen, that no imaginable change in Janet’s physiology could make him love her less. But the person he had to convince was Janet herself.

So he practiced not looking away, controlled the expression on his face and made a habit of cracking jokes about “single swingers.” It worked. Before long he had Janet herself able to laugh about the subject, as she has been ever since.

Then, as 1972 was coming to an end, something nice happened. The Holland-American cruise line put on a special event, a cruise to some lovely Caribbean islands which included a special stopover off the coast of Cape Canaveral to view the launch of the Apollo 17 Moon rocket. It was a night launch, the first one ever attempted, and the last launch scheduled to take human beings to the surface of the Moon. (And none have been added since.)

The ship’s manifest included fellow sf writers Robert A. Heinlein, Theodore Sturgeon, Ben Bova and myself (each including a nearest and dearest, and in Ted’s case a small son who explored every part of the ship, giving all the rest of us employment in keeping him from falling overboard), along with various celebrities like Marvin Minsky, Hugh Downs, Katherine Anne Porter, Norman Mailer and Carl Sagan, among many others. Nearly all were either old friends or people one would be happy to have become so.

Isaac, of course, usually retired to his cabin between meals, and anyone who passed could hear the steady tappety-tap of his portable. This, I explained to those who didn’t know him, was because of an incurable addiction Isaac suffered: he had never seen a sheet of paper he didn’t want to write on. (Well, to be fair, I rather often did the same thing myself.)

The book Isaac was writing at the time was one of his works on humor, and before adding a joke to the collection in the manuscript it was Isaac’s practice to tell it to his companions at meals to get a reaction That added to the already impressive amount of laughing and jesting that went on at that table over the Holland-America’s quite good food, but my then wife Carol and I were excluded. We were both still dedicated cigarette smokers, and Isaac and Ben Bova, who had claimed that table early on, were even more dedicatedly not. (Though Barbara Bova still did enjoy an occasional cigar.)

That didn’t really matter, anyway. With so few passengers aboard we were all clustered in one corner of the ship’s vast dining hall. Also, with so few of us to be fed there was only one seating for meals, too, which meant we could linger over them as long as we liked, and banter between tables was the norm.

Taken all in all it was definitely a joyous cruise, although perhaps not so much so for the Holland-America line. Because of some incomprehensible mixup hardly any tickets had been sold to paying customers, so that we freebies pretty nearly had the ship to ourselves. But Janet greatly enjoyed it … and therefore so did Isaac.

 
And then, in the fullness of time, in 1973, the divorce from Gertrude was granted, and then it was less than a week before Janet and Isaac were married.

(Coming up soon, I think, the final, and mostly sad, part of my memories of Isaac.)

 
Related posts:

• Isaac, Part 1, Part 2, Part 3, Part 4, Part 5, Part 6
• Russians, Jews and Isaac

Jack Williamson at Cinvention, 1949.

Well, no, it doesn’t, or at least it doesn’t begin quite right away, because in order to describe how Jack Williamson and I became really tight lifelong friends, I have to digress by telling you something about another dear friend, Dirk Wylie.

Dirk — old Brooklyn Tech chum, fellow Futurian, et many a cetera — didn’t have nearly as nice a war as most of us did. When, in 1946, he was at last a civilian he had a souvenir acquired in the Battle of the Bulge which left his spinal column always painful and frequently incapacitating. He had a full disability pension, but he was still in his twenties and in full possession of his faculties. He spent the first time after the end of the war going through hospitals and doctors and courses of treatment. But when nothing cured his spine and the medics told him he was as good as he was going to get, he wanted a job.

So one day, he and I conspired to see what he could do. It was impossible for him to go out to work, so it would have to be something he could do at home. If possible, it should have something to do with his interests in writing and publishing. On consideration we took the easy way out. We made him a literary agent.

I knew that was easy, because I had done it myself as a teenager. Of course, I hadn’t made any money out of it, though it did lead to my first editorial job, but I had some ideas that should produce a growing, though initially small, income for Dirk, and with his disability pension he could weather the thin times. So we rented a mail drop at a good address on Fifth Avenue in New York, and we printed up some stationery listing Dirk as the agent and me as an assistant (because I had promised to help him get started), and we were in business.

All we lacked was clients.

Fortunately for us, the climate was favorable. Book editors in America had always turned a blind eye to science fiction. But the times were prosperous, and a few fan groups had started publishing some of those great old serials as hardcover books. Startled salesmen for the real publishing companies had noticed that these oddities seemed to sell when the amateurs could get them into a store. When they got back to their home offices, they reported this fact to their company’s editors. Who scratched their heads, cautiously tried a title or two and realized there was some money to be made in this sf thing.

Accordingly, Dirk and I wrote letters announcing this new fact to all the pro writers we could think of. Jack Williamson was one such, and he responded by shipping us a couple of his own stories that he thought might work in this exciting new format. (They did.)

The first of them was a manuscript stitched together from two long novelettes Jack had recently sold to John Campbell’s Astounding, “With Folded Hands…” and “…And Searching Mind.” I tried them out on Jack Goodman, the managing editor at Simon & Schuster. Goodman (I should finally confess, since it no longer matters) was one of the most terrifyingly intelligent human beings I have ever met, and in my dealings with him I was always aware that, with his smarts and his vast publishing experience, he could swindle me and my clients whenever he chose. Fortunately, he didn’t choose. His offers were all fair, in line with what other publishers were agreeing to.

When the book came out, retitled The Humanoids, it did well. That sale was the first of many for Jack through our agency.

And that was what developed into one of the most cherished friendships of my life.

 
To be continued. . . .

 
Related posts:

Algis Budrys
(Photo by William Shunn).
 

By the mid-1960s, Algis Budrys had become a darling of the critics. In the field of science fiction, two of the most respected at that time were Kingsley Amis and James Blish. Kingsley said that the way A J was going, he might become the most honored sf writer since H. G. Wells. Jim was less restrained. He thought that A J was becoming the finest writer in a second language since Joseph Conrad. One of A J’s stories had already been made into a film, though not a particularly good one, and his future was bright.

It was at that point that A J basically stopped writing science fiction and went off to Chicago to get into the public-relations business.

Why?

Well, I don’t know why. When A J took off for Chicago and a brief career as Mr. Pickle in a relish promoter’s PR campaign, it was a surprise to me. Perhaps it was because of the merciless difference between salary income and writer income that I alluded to earlier. By then the Budrys family census stood at six, with four healthy infant sons that needed to be fed every day — and would inevitably need more and more as the years advanced. But I lost touch with him for a year or two.

When I reconnected with him he had escaped from advertising and gone to work as the book editor for Playboy.

That made a certain amount of sense to me, particularly as he was showing signs of getting back to doing writing for me again. I was still editing for Bob Guinn, who had gradually enriched my expense account enough to permit annual trips to spur authors along . When in Chicago, I always spent some time with the Budryses. Their lives appeared to have slowed down and smoothed out.

But in that, too, I was quite wrong.

One day, back at home in New Jersey, I got a phone call from A J. He had news. The Church of Scientology had decided to honor their founder and principal sage, the science-fiction (and everything else, but best known for his science fiction) author L. Ron Hubbard, by establishing a new contest for talented entry-level sf writers that would pave the way for some of them to make the transition to professional success. Since none of the Scientology people knew much about publishing, they needed to find someone who did to save them from making too many blunders, and they had found A J.

“What I’m trying to do for them now,” he said, “is to try to find them major writers who —”

“No,” I said.

“— would be willing to be judges — what did you say?”

“I said, ‘no,’” I told him.

“But you didn’t let me tell you the good parts,” he said,

“That’s right,” I said. “I said, ‘no.’ ”

See how I handled it? A quick, firm decision, and then on to the next thing. No looking back, either.

Except that a few months later, when A J called again to tell me that Theodore Sturgeon, who A J had taken on as my replacement, was gravely ill, and A J was in a really tough spot, and if I could just help him out until he could find someone else. . . .

So I did it. I helped him out, and kept on doing it for the next thirty years.

 
In my defense, I will say that Writers of the Future, now broadened to include artists of the future, is indeed a good thing for beginning writers and artists, who can use all the help they can get. But there it is.

A J didn’t confine his efforts to Writers of the Future for the rest of his life. There was a prolonged, and expensive, period when he tried his luck as publisher of his own magazine Tomorrow Speculative Fiction, but what happened at the end was simply that his health gave out. For the last several years of his life he was housebound in his home in Evanston, Illinois, where he complained that illness had so sapped his strength that he didn’t have energy for anything. Once he said, “There’s a novel I started in January and I’m not even a quarter through it.”

This was sometime in late spring. I said cheerfully, “So keep on plugging away. Sooner or later you’ll get it written.”

“Written?” he said, “I’m not talking about writing a novel. I’m talking about reading one.”

What was wrong with A J’s health was not a single, simple thing. I believe it was diabetes that kept him housebound for so long, but think it was metastasizing cancer that took him away in June of 2008.

He is missed.

 
Related posts:

• A J
• The Worlds of L. Ron Hubbard
• The Worlds of L. Ron Hubbard, Part 2
• Weekends with the Moonies
• Robert A. Heinlein, Algis Budrys and Me

    Frank Herbert, 1978.
 

As promised, we made Hawai’i our destination on our usual get-somewhere-out-of-the-cold trip one winter. Frank and Beverly Herbert had built themselves a house in the district of Hana, on the island of Maui, an area renowned for its beauty even in the state where there is very little that isn’t. Betty Anne and I had talked about taking a look at Hana before, but never as a serious plan, because Hana wasn’t easy to get to. You had to drive for a long time on a bad road through tropical near jungle to get there and that didn’t sound like much fun. But now a brand-new puddle-jumper airline that linked Hana to the capital of the island had just become available. It required no use of that unlovable road, and anyway, that’s where the Herberts were.

So we booked the flight and a hotel. Hana was indeed a particularly interesting area to see, home to a few movie stars and once a beloved retreat for, among others, Charles Lindbergh. When Lindy’s flying days were over, he spent the end of his life in Hana, and his family elected to bury him here. The area also has a waterfall nearly a hundred feet high and all sorts of beautiful growing things. Betty Anne saw most of them with Bev as a guide, while I mostly stayed near the hotel pool or my typewriter.

Of course, we were staying in the hotel, and not with the Herberts. We had known in advance that that wasn’t possible. Their multi-roomed house, though it had six baths, had only one bedroom, and that was their own. (They didn’t like the idea of houseguests.) At dinner, Frank conceded that they were beginning to believe that it might be nice to be able to put friends up now and then, after all, as long as they weren’t in the same house as the Herberts themselves. They were thinking that maybe, someday, they would put up a little guest house down the hill for that purpose

I don’t think that ever happened. Beverly’s health worsened and not long afterward she died. She and Frank had been married for nearly forty years.

 
In 1985, Betty Anne and I decided to take in the Worldcon in Australia, a continent I had never set foot on. We enjoyed it a lot, especially the sightseeing, although just as we were getting ready to leave our home, one of Ted Turner’s producers invited me to write a script for a new Turner project. It was an attractive prospect, but it meant I would have to write a treatment for the script while we traveled, and courier it back to America from somewhere along the way. But that seemed doable, and by the time we got to the con, we had had several really long flights. That sort of thing is good for my writing. I did some of my best work on airplanes, with my weird but lightweight and almost soundless Brother typewriter on my tray table.

At the con, we were happy to find that Frank had turned up there before us, in fact now equipped with a good-looking, brand-new wife to show off. Her name was Theresa, and they too had been exploring Australia as a sort of honeymoon. Frank was full of stories about the shooting of Dune, mostly in Mexico, and the two of them seemed about as happy as newlyweds are generally supposed to be. Well, with one exception. Somewhere along the trip, Frank said, he had picked up a touch of food poisoning, and he was going to have to watch his diet for a while.

That was a self-diagnosis and, sadly, it was wrong.

The next time I saw Frank was about a year later. I was at O’Hare Airport, waiting to board my flight to Seattle, where I was to take part in a brainstorming session about future small arms for the U.S. military when I heard my name called. It was Frank. He looked leaner and a bit tireder than when I’d last seen him, but his voice was strong.

That pain in the gut in Australia, he told me, hadn’t been food poisoning. It had been pancreatic cancer.

I knew what that meant. Nearly always, it meant dying quite soon. I must have looked as though that was what I was thinking, because Frank was shaking his head.

“I know that’s got a bad prognosis,” he said, “but the University of Wisconsin medical school has some new ideas about treatment, and that’s where I’ve been.”

The new ideas, he said, were pretty strenuous. Each period of therapy had to be followed by a stretch of recovery time at home. He had completed two therapy sessions and was on his way home to rest up for the third.

“Sounds like hard work,” I offered.

“It is,” he agreed, “but I’m going to beat this thing!”

I don’t know what else we talked about. Not much, I imagine, because they started boarding the flight. Our seats were not near each other. I thought of asking to change mine so I could have his company for a few more hours, but Frank already had one of his sons and one or two other men traveling with him … and, too, I didn’t want to risk tiring him out. When we reached Seattle, I looked around for him to say goodbye, but he was gone.

A few weeks later, I learned that he had died in Madison after undergoing cancer surgery.

 
Related post:
Frank Herbert, the Dune Man