Posts tagged ‘Media’

Grandma Judy

Grandma Judy

In the 1970s, both Judy and I had become active in Canadian television, Judy as the person who handled Dr. Who for Ontario Television, me as a sort of all-purpose guest correspondent for the Canadian Broadcasting Company’s coverage of the American space doings, ending with the CBC’s coverage of the rendezvous in orbit of the Soviet Soyuz spacecraft and the American Apollo.

Things reached a point with Judy where I could do something for her. The Ontario TV authorities were getting difficult. Dr. Who had been sold to them as science fiction under the general principle that science fiction was educational and therefore good for children to watch. Educational authorities, though, were up in arms to say that such claims were ridiculous. Dr. Who wasn’t science. It was silly garbage, and it should be off the air.

And what Judy wanted to know was, “Listen, Fred, you’re pretty good at that space-program science talk. If we gave you time, is there anything you could say that would make Dr. Who sound a little more sciency?”

I thought that was a pretty funny request. I had also, for some time, been spending a lot of my time defending sf in general as healthy for people to watch. True, Dr. Who was a pretty marginal case. But you could find scientific lessons in almost any fantasy story once you allowed quantum reality to be defined as scientific, and I wrote a number of comments-on-the-air for Judy’s shows, and the problem passed.

 
It wasn’t just the opportunities for working together that brought Judy and me together at last. Most of all it was our growing number of descendants. Our daughter Ann had gone and grown up, and she had married a Canadian named Walter Weary, with whom she had two children, Tobias, who is now an excellent chef, with children of his own, and Emily, the granddaughter who won the Hugo Award.

After that marriage tanked, Ann married Juan Miranda, an Argentinean immigrant to Canada who was a high-tech electronics engineer. The reason he left Argentina for Canada is that Argentina had fallen under the rule of the brutally murderous “colonels,” who formed the habit of picking up people who criticized them on the street, torturing them, then murdering them and burying them in unmarked graves so their families could not even have the satisfaction of being sure whether they were dead or alive. Juan himself had been picked up by the death squads. But it was just at the end of their power. Legitimate law officials were arresting them and releasing their prisoners. Whereupon Juan very sensibly decided to get the hell out of Argentina. (His elder brother was less lucky. He had been picked up a year or so earlier and was never seen again.)

Anyway, Juan Miranda was one of my favorite sons-in-law of all time. He was smart, he was funny, he was crazy about Ann, and with her help, he gave us two more grandkids, Julia and Daniel. Judy was fond of him, too. Every time I (or, more frequently, Carol and I) managed to get to Annie’s house to view our descendants, Judy did her best to get there too.

Judy and I had one trait that united us. At the time, she and I were both unregenerate heavy smokers. Nobody else in our families was. When we needed a fix, what we did was go out on the front porch, light up, and spend half an hour chatting about things in general. You know. Like old friends do.

 
Part of that ended when Annie’s last marriage ended, and she moved way to the Atlantic Maritime Provinces of Canada. Then Judy’s health began to fail. She got really sick. And then, in 1997, she died.

I am pleased that, at the end of the last time I saw her, she gave me a hug. Do you know that it’s possible to have happy endings, at least reasonably happy ones, in the real world, too?

 
Related posts:
Judith Merril, Part 1, Part 2, Part 3, Part 4, Part 5, Part 6, Part 7, Part 8

Want me to tell you a funny story that doesn’t make me laugh at all?

Okay, here goes. First, you have to have seen the movie Wag the Dog or at least you have to know what it’s about. (I can help you there. It’s about an American president who’s congenitally unable to keep from getting caught in sexual messes. So when one of them is about to go disastrously public the president and his Brains Trust cook up an idea to cover it up. If the country began fighting a war, that would put the story of his sexual fling as a newspaper story back on about Page 32, and in small type. So they make up a war that they pretend the U.S. was having, and then they make up an imaginary victory.) It was actually, I’m told, a pretty funny movie.

Now comes the part that doesn’t make me laugh. If you remember, a few days before Election Day, a new terrorist action hit the papers, somebody in Yemen trying to send bombs to synagogues, including small Jewish congregations in Chicago.

And then Richard Roeper, who writes a pretty good column for the Sun-Times, began getting jocular little emails coming in to him, and many of them were saying things like, “Just like Wag the Dog all over again, right?”

As jokes go, that isn’t a bad one under certain circumstances. But when they start coming in numbers, it isn’t funny any more. There’s somebody around who is saying, don’t you believe that our president is capable of doing that if he thought he could get away with it? Or pretending to be a Christian when he’s really a Moslem? Or faking his birthplace so he could become president?

Or any other of those lies that apparently some people believe?

I know who’s spreading that stuff. It’s someone who has no honor or decency himself, and so doesn’t recognize it in any else. He really should at least sign his name.

Gateways, original stories inspired by Frederik Pohl, edited by Elizabeth Anne Hull

We’re happy to be able to tell you that we love all of you, not just the ones who live in the U. S. of A., but also all of you who happen to live in some place whose current capital is not Washington D.C. as well. To show that we mean it, we’re going to add our own personal giveaway program for that great new book, Gateways, to the one that was offered by our publisher, Tor, through GoodReads.

So, if you live in any country that is not the USA, from Argentina and Canada to Zanzibar and Zimbabwe, and would like to enter the drawing, e-mail blog @ thewaythefutureblogs.com with your name and snail-mail address. The winning names will be pulled out of a hat by Gene Wolfe, one of the fine authors represented in the book. Two of the copies will go to folks in the USA, so you guys can enter, too; all the others will go to people from elsewhere.

If you’ve already forgotten what a great book this is, here’s what the San Diego Union-Tribune said about it:

“Science fiction has been blessed and bolstered by the 70-year career of Frederik Pohl, whose wife, Betty Anne Hull, edited this collection as a 90th birthday gift for him. David Brin has a long and shiny story toward the front of the book, ‘Shoresteading,’ Cory Doctorow has the thought-provoking ‘Chicken Little’ toward the end, and every story, poem and appreciation in between is well worth your time … and the time it’ll take you to find any of the Pohl works you’ve missed.”

And, oh, by the way, just to sweeten the pot, every winning copy will be autographed by Betty Anne Hull, creator of the book; Frederik Pohl, who is lucky enough to be her husband; and Gene Wolfe, the winner-picker.

(List closes on November 15th. Enter before then!)

VOTE!

When you just can’t make up your mind between two candidates who are equally good, or equally rotten, follow these simple steps:

  1. Keep an eye on your TV.
  2. Count how many commercials each candidate has.
  3. Identify which candidate has more,
  4. Vote for the other guy.

The point is that those commercials cost big money. The way the politician pays for them is mostly with the large donations from for-profit companies and associations. The way politicians get those big donations is by doing favors for those same entities.

When a politician lets lobbyists “suggest” changes in legislation he isn’t working for the voters any more, he’s working for the people who are giving him money. I’m assuming that isn’t the way you want it.

I spend a lot of time reading what you guys have to say about items in the blog, and I have to say I’m impressed with what a smart and rewarding bunch you all are. (Of course I would probably say something of that sort whether it was true or not, but in this case it happens to be true.) So when one of you says that there is something you would like me to write about, and I can see how to do it, I try to comply. One of you, for instance, has recently asked me to try to describe what thought processes led me to the writing of my novel Gateway. That’s a welcome question not only because I’m particularly fond of that book but also because I can answer it.

The process that led to Gateway began with a remark by some scientist — I’ve forgotten which one — in an attempt to explain why, if there are other technically advanced civilizations in the universe, as many of us would like to believe, none of them have dropped in to visit us. That could simply be, he said, because they got an earlier start than we did. That is, life appeared on their planet thousands, or even millions, of years before it did on Earth, and therefore their dominant race of beings reached their spaceflight era long before we did. (After which, who knows? Perhaps they killed themselves off, of doing which there is all too good a chance that we might yet. Or they simply lost interest. Or — as I say — who knows?)

In that case, they might have visited Earth dozens of times, but finding no one here with interests closer to their own than the australopithecines — or, for that matter, than the trilobites or even the slime molds — they got discouraged and went away. And the only way we would have of learning that they had existed would be if they had left something of theirs behind for our archeologists to find.

That seemed like a territory suitable for the construction of a good science-fiction story to me, so I began trying to do it.

A lot of writers have minds more orderly than my own. These tidier souls tend to write out a synopsis of what the book is going to be, all the way to the conclusion, before they write a single line of the actual text. This approach to the how-to of writing is simply alien to my nature. Instead, when I get a sort of general idea I simply start to write, making it up as I go along. Writing, then, is pretty much a process of discovery for me. As I write I see more and more of the implications of that original idea, and I shape my story line accordingly.

Usually, it’s a fairly efficient process. I seldom have to go back and x out passages because they lead nowhere. But in the case of what ultimately became Gateway I made several false starts. I finally wrote a novella called “The Merchants of Venus.” That one made the assumptions that aliens, long ago, had indeed visited our solar system; but that they had paid little attention to Earth, for reasons we have no way of knowing, but perhaps because they altruistically didn’t want to interfere with the development of the primitive human terrestrials; and that they had accordingly then focused most of their attention on the planet Venus. And, since Venus’s surface conditions are lethally hot and nasty, they had dug huge tunnels, kept at a livable temperatures and filled with breathable air, in which they had established colonies of their scientists to study the planet — much as we humans have done in Antarctica.

Then, much later, the aliens have gone away and the human race has developed to the point of having space travel that is efficient enough to allow (rich) tourists to visit the planet, where they buy souvenirs excavated from the old alien tunnels. The tunnels were cleaned out by the aliens when they left, but they weren’t careful enough to get every last item. (Some of the “trash” they left behind is technologically advanced and very valuable to its discoverers.)

I was reasonably satisfied with the novella. But I couldn’t get those aliens out of my mind.

So a year or so later I went back to the drawing board and began writing the story of Robinette Broadhead, who visits the asteroid where the aliens have parked their surplus spaceships, and uses them to explore far-off star systems.

However, I had been thinking for some time that it would be nice for a novel’s readers if the author could give them some way of seeing everything that’s interesting in the background of the story. Not just what the author believes is relevant. And so I began writing the “sidebars” that festoon the book.

Meanwhile I was doing a lot of traveling around that time, writing on the book in airplanes and hotel rooms. (Some of the sidebars have a slight Canadian flavor. That’s because the Canadian Broadcasting Corporation had invited me to come up to Toronto to do commentary on the upcoming rendezvous in orbit of a U.S. Apollo and a Soviet Soyuz spacecraft, and I lived there for a week or so.)

Then, when it was basically all written, I assembled all the parts and read it over.

I was reasonably content with most of it, but the short last chapter didn’t move me. So I rewrote it. Then I rewrote it again.

Then I rewrote it again and kept on doing it until I could go no farther — each time giving better and better lines to my favorite character, the computer psychoanalyst, Sigfrid von Shrink.

And that’s the way, under the title Gateway , it got published.

 

Will Sykora, left, and Willy Ley at a meeting of the Queens Science Fiction League in 1948.

Will Sykora, left, and Willy Ley at a meeting of the Queens Science Fiction League in 1948.

 
Introduction

This arrived without warning from my old friend Andrew Porter, once the editor and publisher of Algol/Science Fiction Chronicle, the only real competition Locus ever had. Andy didn’t say why he sent it, but I guess he just thought I would like to see it again — it’s a part of a chapter taken from a book of mine called The Early Pohl that I haven’t looked at in years. Well, I did get a kick out of some of it (although other parts did just repeat things I’ve written here and elsewhere). Considering how many said that you had enjoyed the chapter I inadvertently reprinted from The Way the Future Was, some of you might like this, too, so I’m going to take a chance and reprint this as well. (Having cut out much, though probably not all, of the stuff that already was in the earlier piece.)

The title of the piece is Andy’s. (It refers to the fact that if you wanted to start an sf club in New York in the ’30s, it helped to have a basement that you could hold the club’s meetings in.) It was also Andy’s decision to include a picture of Will Sykora and Willy Ley at the beginning, although only Sykora has anything at all to do with the piece, and then not much. So I’ll tell you what I’m going to do. As afterwords I’ll attach a little bit about who they are, and I’ll also tell you a funny, if a bit embarrassing to me, story about The Early Pohl, the book this piece came from.

 
BASEMENT AND EMPIRE
From the book The Early Pohl, copyright ©1976 by Frederik Pohl. (Abridged.)

In the winter of 1933, when I was just turned thirteen, I discovered three new truths.

The first truth was that the world was in a hell of a mess. The second was that I really was not going to spend my life being a chemical engineer, no matter what I had told my guidance counselor at Brooklyn Technical High School. And the third was that in my conversion to science fiction as a way of life I Was Not Alone.

All of these new discoveries were important to me, and in a way they were all related. I had just started the second semester of my freshman year at Brooklyn Tech. It was a cold, grimy winter in the deepest depths of the Great Depression. There was not much joy to be found. Men were selling apples in the streets. The unemployed stood in bread lines and prayed for snow — that meant there would be work shoveling it off the sidewalks. Roosevelt had just been elected President but hadn’t yet taken office — Inauguration Day, still geared to the stagecoach schedules of 1789, had not yet been moved up from March 4. Banks were going broke.

There was not much money around, but on the other hand you didn’t need a lot. Subway fare was a nickel. So was a hot dog at Nedick’s, which was enough for a schoolboy’s lunch. You could go to the movies for a dime or, sometimes, for a can of soup to be donated to the hungry.

Brooklyn Tech was an honor school, which is possibly why I decided to go to it in the first place. Like many of my colleagues, I regret to say that as a kid I was always something of an intellectual snob. (I do not wish to discuss what I am now.) Tech had been born in an ancient factory building, next to the entrance to the Manhattan Bridge in the grimiest part of Brooklyn’s industrial riverside district. It had outgrown that and was now spread around a clutch of decrepit ex-grammar schools in the same area. We commuted from building to building, class to class.

I found myself walking from my Mechanical Drawing class in P.S. No. 5 to my Forge and Foundry class in the main building in the company of a tall, skinny kid named Joseph Harold Dockweiler. Along about the third time we crossed Flatbush Avenue together I discovered that we had something of great urgency in common. He, too, was a Science-Fiction Fan, Third Degree. That is, he didn’t merely read the stuff, or even stop at collecting back issues and searching the secondhand bookstores for overlooked works. He, like me, had the firm intention of writing it someday.

Six or seven years later Joseph Harold Dockweiler renamed himself Dirk Wylie. Later still, he and I went partners in a literary agency and later, but tragically not very much later, he died, at the appalling age of twenty-eight, of the aftereffects of his service in the Battle of the Bulge in World War II.

Dirk was the first person I had found like myself. Having learned that we were not unique, we contemplated the possibility of finding still others who would be able and anxious to compare the merits of Amazing vs. Wonder Stories and discuss the galaxy-ranging glamour of E.E. Smith’s Skylark stories. In a word, we went looking for science-fiction fandom.

The bad part of that was that fandom did not yet quite exist.

The good part was that it was just about to be born, when Wonder Stories started a circulation-boosting correspondence club called the Science Fiction League. We joined instanter, and began attending club meetings as soon as a local chapter was formed, where we met others like ourselves.

 
More to come. . . .

 
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