Posts tagged ‘Great Depression’

Some Techies supplemented their education at Minsky’s Brooklyn Burlesque.

Some Techies supplemented their education at Minsky’s Brooklyn Burlesque.

The fall term of the year 1934: For all of us Techies, it was a watershed event in at least two ways.

First there was the sybaritic opulence of our new home. Everything was so clean! Not only that, the rooms smelled better. In every washroom, the toilets worked whenever you flushed them, and each workspace in chem lab was covered with a glass hood to contain their toxic gases, with the result that the whole building had lost that familiar acid reek. And, oh, yes, there were electric motors in every metal-working machine, eliminating the old main building’s tangle of overhead belts and pulleys. You just pushed a single button and the machine was on!

Most impressive of all, the New Building came with giant elevators, so you didn’t have to develop the muscles of a Himalayan mountaineer to get from one class to another. (Well, maybe we’re going a tad too strong here. The New Building had those elevators, all right, but few of us were allowed to use them. And compliance with the rules was enforced by a horde of student monitors, called the Longfellows because you had to be at least six feet tall to join. Dirk Wylie and I signed up at once in the hope that, as enforcement officers, we might be allowed elevator privileges, or even the right to leave the building when we had open time so we could explore the park across the street. But we weren’t.)

The second great improvement was location. The New Building wasn’t out in the unexplored boonies like the old one. The new neighborhood was a lot nicer. Just across the street was that pretty little Fort Greene Park that I just mentioned, commemorating the first full-scale engagement between the two armies in the war of the American Revolution. (We Americans lost that one, but later we came back strong.)

More immediately interesting to us newly arriving Techies, the school was only a few blocks from the very heart of Brooklyn’s commercial and entertainment life, where Flatbush Avenue crossed Fulton Street. The area was home to half a dozen huge and ornate first-run movie theaters, not to mention several live legitimate theaters where Broadway producers sometimes sent their biggest productions for their “out-of-town tryouts.” And almost any Broadway show might wind up in one of them when its New York run was finished and it went on the road. And there were perhaps one or two less legitimate live theaters — Billy Minsky’s Brooklyn Burlesque comes to mind — that were nevertheless so greatly appreciated by male Techies (and in those benighted days there were no female Techies) that it was sometimes called “the ninth period.”

That same neighborhood held three huge department stores plus three equally immense five-and-tens and numerous lesser enterprises of all kinds. At last we Brooklyn Tech students had arrived in the Promised Land!

But I guess I couldn’t take prosperity. I had been doing worse and worse academically, failing several subjects — even one semester failing in math, and honest, I am pretty good at math. I expect that if I had put my mind to it, I might have been able to get back on the ball, studies-wise, but, of more practical importance, the Depression turned into the Recession and there was no longer any hope that I could continue these sort of studies at some such school as Rensselaer or MIT.

I decided that what I was really failing was School. I transferred to an easier school for starters and then, as soon as I was legally old enough to do so, I dropped out and never attended an actual school again. Although I hadn’t yet met John Brunner, who did what I had done at about the same age, I adopted as my own what he announced as his rationale: “I had to leave school because it was interfering with my education.”

And so I did. But I still treasure those three years and the things I learned about math and chemistry and physics and the way things work that have stayed with me ever since.

 
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Brooklyn Tech: The fabled new building.

Brooklyn Tech: The fabled new building.

In New York City, the school year, up through the end of high school, came in two parts, fall term and spring term. I had entered Brooklyn Tech in September 1932 — fall term — which would end in February 1933. By then, rumor whispered, we might move over to the new building.

That is not what happened. We moved to a different building, but it wasn’t the shiny Amazing-Stories kind of construction I’d been hoping for. It was not only not new, it was the very opposite of new. Our home for the next term had begun life as P.S. No. 1, the oldest school building still in use in the Brooklyn system. Actually, it had been retired as no longer inhabitable a few years earlier, but then it had been resuscitated when Tech had to have space.

That must have been a tough call for some Board of Education office-holder, though. By any sensible calculation, the old ruin was uninhabitable still. The internal architecture had been up-to-the-minute when built, but that had been a lot of minutes ago. Many of the vertical room dividers were movable partitions instead of fixed walls — so they could be shifted around to make space available for special purposes — but the little wheels they rode on had long ago stopped turning. Some ceiling panels had collapsed baring patches of snowy (but not healthful) asbestos insulation. There were toilets in plenty. But not all of them worked, and in some a student would have to be really hard pressed to use them.

Or at least patient, because the best thing about having P.S. 1 for a homeroom was that you didn’t spend your whole day there. There was a whole constellation of bits and pieces of Brooklyn Tech there where Flatbush Avenue Extension ended at the East River. Ancient P.S. 1 was the farthest northwest of them, not far from the neighborhood called Borough Hall, where Brooklyn Bridge jumped the river en route to the financial district. In the other direction, that area was a tangle of transportation lines and decrepit poverty, a perfect home for decrepit P.S. 1. A few blocks east of there was P.S. 5. (Perhaps you might suppose that a P.S. 5 — or for that matter my old P.S. 9 — would have to be almost as much of an antique as a P.S. 1, but they weren’t. They were as ageless as any other school building I had attended, and I don’t know why.)

P.S. 5 was yet another annex of Brooklyn Tech at almost the end of Flatbush Avenue Extension (which is to say right as it crossed over the river on the Manhattan Bridge.) And just across the Avenue from Annex 5 was the last piece in the collection of three buildings that completed Tech: the old Main Building. (Well, actually no, perhaps it wasn’t quite the last. I believe there was yet another annex somewhere in Queens, but I never happened to attend it.)

Continue reading ‘Early Days at Brooklyn Tech, Part 2’ »

By Frederik Pohl (’09)

In the spring of 1932, when I was 12 years old, my homeroom teacher explained to us that as we were going to start high school as soon as we came back from summer vacation, we needed to choose the high school we wanted to attend. I took the list home to study. As I had no clue in the world what I wanted to do with my life, studying didn’t help much, though there were some hints in the name of one school. It contained the word technical, which implied something sort of science-y; and that reverberated well with science fiction. (Which had begun to interest me quite a lot.)

And, a consideration not to be sneezed at, it was new, and this was 1932. The Great Depression was biting hard and all of New York’s existing schools were getting a bit tacky from postponed maintenance. So I applied, and passed the test. Summer came and went; and I was a Techie.

My parents and family friends were unanimous in letting me know that I had reached an important rung in that long ladder-climb to adulthood. Indeed there were detectable changes, but I couldn’t consider all of them to be improvements. As an eighth-grader, I had been able to walk to and from school, maybe twenty minutes each way. As a high-school freshman, it not only took more than twice as long, it required taking two different El lines in each direction with a change of trains at a station somewhere in Queens even whose name I had never before heard. (With a fifteen-minute walk to the first subway line.)

Not only that, but the building on Kosciusko Street where Brooklyn Tech’s freshman classes were held was almost indistinguishable from P.S. 9, where I had just left my eighth grade behind, or indeed from any other 20th-century New York City public school, all built from the same one-design-fits-all master plan.

The New Building? Oh, yes, there definitely was a New Building. They had pictures to prove it — a seven- or eight-story skyscraping giant structure, with a screened-in athletic field on the roof and who knew what wonders of laboratories and high-tech pedagogical hardware within. Only thing was, it wasn’t quite finished yet. It was pretty close. Indeed a few senior classes were moving in already. And they showed us pictures of them, too.

As for our own moving-in day? Next year, they said. Probably. Or at least maybe.

So much for the physical environment. Academically, the Kosciusko Street (pronounced “Kos-Key-Osco,” because hardly any of us were fluent in Polish, or in American history) annex was a little more challenging. The math was a little harder than it had been. Shop was only woodworking, but with lathes and drill-presses and other power tools. And one or two of the subjects were totally unfamiliar — what was Industrial Processes, for instance, and who was the Samuel Mersereau who not only taught it but was the author of the only textbook for the course?

But then I read the book and discovered that ‘industrial processes’ meant the way things worked — how that black, tarry stuff they pumped out of the ground in Texas became the gasoline that went into the tank of my father’s Buick, how a television receiver, when such a thing might emerge from the pages of Popular Mechanics (remember, this was in 1933), could pluck radio waves from the air and convert them into actual pictures for us to look at. There were, in short, answers that I wanted to have to questions I had actually asked, and if I had known this book existed I would have begged it from someone long since.

To be continued.

 
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My dear friend Jack Williamson, who died a few years ago, was ten or eleven years older than I, and I didn’t actually meet him — in the flesh, that is, though I certainly knew and revered him through his wonderful stories — until he was an elderly 30 and I was 19, and just beginning a life of my own. Jack, of course, had been living his own life for a decade or more, and an interesting life it was: coming to New Mexico in a covered wagon as a child., sailing down the Mississippi with another writer , finding the love of his life when they were kids — and then losing her — and finding her again when she became widowed. But as I wasn’t there for those busy times I can’t tell you about them.

Fortunately Jack himself could, and did in his marvelous autobiography, Wonder’s Child, which you should get your hands on and read. For me, the personal story of John Stuart Williamson begins with the first World Science Fiction Convention, in New York City in 1939, which Jack attended, and I and six other Futurians were thrown out of. (That’s a long story that I’m getting a little tired of telling, but I’ll do it by and by for the blog — and anyway it’s in my own autobiog, The Way the Future Was. Which is out of print but will be available real soon now as an ebook from Baen. Don’t worry, I’ll mention it in the blog when it is available.)

Actually, although I had never knowingly been within a thousand miles of Jack in the flesh, he had in fact already caused one significant change in my life. At the age of ten or eleven I was already hooked on sf. In those years science fiction in America came only in the form of the canonical pulp-paper magazines Amazing, Wonder (under several variations of title) and Astounding. I was able to afford all three only because I was able to buy them for a nickel or a dime apiece in a second-hand magazine store. (Depression days, remember. There were second-hand everything stores everywhere.)

That was fine for me until 1931, when I had a stroke of good — or more accurately of bipolar, mixed good and bad — luck. The good part was that someone had parted with his copy of the current Amazing while it was still on the stands, and so I had read the first half of a two-part serial at the same time time as the rich people. That serial was Jack’s The Stone From the Green Star. The bad part was that God alone knew when the next issue of Amazing, with the conclusion of the story, would fall into my hands. It might be months, might even be a year or more.

Could I stand waiting that long to learn how it all came out?

I could not. I had a way of dealing with the problem, though. My lunch allowance was 25¢ a day, enough for a 20¢ Western sandwich at the cafeteria down the street and a 5¢ glass of milk to wash it down. All I had to do was skip lunch for one day of the next week and that brand-new Amazing was mine. I didn’t hesitate. I did it. I never regretted it, either.

It is true, of course, that in the judgment of most authorities The Stone from the Green Star is by a wide margin the least of Jack’s novels. But what did I know? I was eleven years old, and addicted.

 
To be continued. . . .

 
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Wonder Stories, April 1933

I don’t know what kind of a writer I would have been if I hadn’t met Dirk Wylie and, through him and with him, the whole world of science-fiction fandom. Much the same, I imagine. I almost certainly would have been some kind of a writer — I’m hardly fit for anything else. And I had been trying to write sf at least a year before I met Dirk, in idle moments in classes in the eighth grade. But it would have taken a lot longer.

I owe a lot to fandom. From Don Wollheim, John Michel, Doc Lowndes — and later from Cyril Kornbluth, Dick Wilson, Isaac Asimov and others — I learned something about what they were learning about writing; we all showed each other our stories, when we weren’t actually collaborating on them. In the fan mags, I acquired the skills necessary to prepare something for public viewing — and the courage to permit it.

What I am not as sure of is whether all the things we learned then were worth learning.

Science fiction was purely a pulp category in those days. Sometimes the emphasis was on gadgetry, sometimes on blood-and-thunder adventure; when it was best, the high spots were vistas of new worlds and new kinds of life. In no case was it on belles-lettres, nor was it a place to look for fresh insights into the human condition. What we learned from each other and from the world around us was the hardware of writing. Narrative hooks. Time-pressure to make a story move. Character tags — not characterization, but oddities, quirks, bits of business to make a person in a story not alive but identifiable. So I learned how to invent ray-guns and how to make a story march, but it was not for a long, long time that I began to try to learn how to use a story to say something that needed saying.

In fact, when I look back at the science-fiction magazines of the twenties and the early thirties, the ones that hooked me on sf, I sometimes wonder just what it was we all found in them to shape our lives around.

I think there were two things. One is that science fiction was a way out of a bad place; the other, that it was a window on a better one.

The world really was in bad trouble. Money trouble. The Great Depression was not just a few million people out of work or a thousand banks gone shaky. It was fear. And it was worldwide. Somehow or other the economic life of the human race had got itself off the tracks. No one was quite sure it would get straight again. No one could be sure that his own life was not going to be disastrously changed, and science fiction offered an escape from all that.

The other thing about the world was that technology had just begun to make itself a part of everyone’s life. Every day there were new miracles. Immense new buildings. Giant airships. Huge ocean liners. Man flew across the Atlantic and circled the South Pole. Cars went faster, tunnels went deeper, the Empire State Building stretched a fifth of a mile into the sky, radio brought you the voice of a singer a continent away.

It was clear that behind all this growth and acceleration something was happening, and that it would not stop happening with huge Zeppelins and giant buildings but would go on and on. What science fiction was about was the going on. The next step, and the step after that. Not just radio, but television. Not just the conquest of the air, but the conquest of space.

Of course, not even science fiction was telling us much about the price tag on progress. It told us about the future of the automobile; it didn’t tell us that sulphur-dioxide pollution would crumble the stone in the buildings that lined the streets. It told us about high-speed aircraft, but not about sonic boom; about atomic energy, but not about fallout; about organ transplants and life prolongation, but not about the dreary agony of overpopulation.

Nobody else was telling us about these things, either. A decade or two later science fiction picked up on the gloom behind the glamour very quickly, and maybe too completely. But in those early days we were as innocent as physicists, popes and presidents. We saw only the promise, not the threat.

And truthfully we weren’t looking for threats. We were looking for beauty and challenge. When we couldn’t find them on Earth, we looked outside for prettier, more satisfying places. Mars. Venus. The made-up planets of invented stars somewhere off in the middle of the galaxy, or in galaxies farther away still.

I think we all believed as an article of faith that there were other intelligent races in the universe than our own, plenty of them. (I still believe it! What puzzles me is why we haven’t seen any of them as visitors. I wish I could swallow the flying-saucer stories — I can’t; the evidence just isn’t good. But the absence of hard facts hasn’t shaken my faith that Osnomians and Fenachrone are out there somewhere.) If polled, I am sure we would have agreed that wherever there’s a planet, there’s life — or used to be, or will be.

Now, alas, we know that the odds are not as good as we had hoped, especially for our own solar system. The local real estate is pretty low quality. Mercury is too hot and has too little air; Venus is too hot and has too much, and poisonous at that. Mars is still a possibility, but not by any means a good one — and what else is there? But in the mid-thirties we didn’t know as much as we do now. The big telescopes hadn’t yet been completed, and of course no spaceship had yet brought a TV camera to Mars or the Moon.

But we believed.

 
Stay tuned. . . .

 
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Will Sykora, left, and Willy Ley at a meeting of the Queens Science Fiction League in 1948.

Will Sykora, left, and Willy Ley at a meeting of the Queens Science Fiction League in 1948.

 
Introduction

This arrived without warning from my old friend Andrew Porter, once the editor and publisher of Algol/Science Fiction Chronicle, the only real competition Locus ever had. Andy didn’t say why he sent it, but I guess he just thought I would like to see it again — it’s a part of a chapter taken from a book of mine called The Early Pohl that I haven’t looked at in years. Well, I did get a kick out of some of it (although other parts did just repeat things I’ve written here and elsewhere). Considering how many said that you had enjoyed the chapter I inadvertently reprinted from The Way the Future Was, some of you might like this, too, so I’m going to take a chance and reprint this as well. (Having cut out much, though probably not all, of the stuff that already was in the earlier piece.)

The title of the piece is Andy’s. (It refers to the fact that if you wanted to start an sf club in New York in the ’30s, it helped to have a basement that you could hold the club’s meetings in.) It was also Andy’s decision to include a picture of Will Sykora and Willy Ley at the beginning, although only Sykora has anything at all to do with the piece, and then not much. So I’ll tell you what I’m going to do. As afterwords I’ll attach a little bit about who they are, and I’ll also tell you a funny, if a bit embarrassing to me, story about The Early Pohl, the book this piece came from.

 
BASEMENT AND EMPIRE
From the book The Early Pohl, copyright ©1976 by Frederik Pohl. (Abridged.)

In the winter of 1933, when I was just turned thirteen, I discovered three new truths.

The first truth was that the world was in a hell of a mess. The second was that I really was not going to spend my life being a chemical engineer, no matter what I had told my guidance counselor at Brooklyn Technical High School. And the third was that in my conversion to science fiction as a way of life I Was Not Alone.

All of these new discoveries were important to me, and in a way they were all related. I had just started the second semester of my freshman year at Brooklyn Tech. It was a cold, grimy winter in the deepest depths of the Great Depression. There was not much joy to be found. Men were selling apples in the streets. The unemployed stood in bread lines and prayed for snow — that meant there would be work shoveling it off the sidewalks. Roosevelt had just been elected President but hadn’t yet taken office — Inauguration Day, still geared to the stagecoach schedules of 1789, had not yet been moved up from March 4. Banks were going broke.

There was not much money around, but on the other hand you didn’t need a lot. Subway fare was a nickel. So was a hot dog at Nedick’s, which was enough for a schoolboy’s lunch. You could go to the movies for a dime or, sometimes, for a can of soup to be donated to the hungry.

Brooklyn Tech was an honor school, which is possibly why I decided to go to it in the first place. Like many of my colleagues, I regret to say that as a kid I was always something of an intellectual snob. (I do not wish to discuss what I am now.) Tech had been born in an ancient factory building, next to the entrance to the Manhattan Bridge in the grimiest part of Brooklyn’s industrial riverside district. It had outgrown that and was now spread around a clutch of decrepit ex-grammar schools in the same area. We commuted from building to building, class to class.

I found myself walking from my Mechanical Drawing class in P.S. No. 5 to my Forge and Foundry class in the main building in the company of a tall, skinny kid named Joseph Harold Dockweiler. Along about the third time we crossed Flatbush Avenue together I discovered that we had something of great urgency in common. He, too, was a Science-Fiction Fan, Third Degree. That is, he didn’t merely read the stuff, or even stop at collecting back issues and searching the secondhand bookstores for overlooked works. He, like me, had the firm intention of writing it someday.

Six or seven years later Joseph Harold Dockweiler renamed himself Dirk Wylie. Later still, he and I went partners in a literary agency and later, but tragically not very much later, he died, at the appalling age of twenty-eight, of the aftereffects of his service in the Battle of the Bulge in World War II.

Dirk was the first person I had found like myself. Having learned that we were not unique, we contemplated the possibility of finding still others who would be able and anxious to compare the merits of Amazing vs. Wonder Stories and discuss the galaxy-ranging glamour of E.E. Smith’s Skylark stories. In a word, we went looking for science-fiction fandom.

The bad part of that was that fandom did not yet quite exist.

The good part was that it was just about to be born, when Wonder Stories started a circulation-boosting correspondence club called the Science Fiction League. We joined instanter, and began attending club meetings as soon as a local chapter was formed, where we met others like ourselves.

 
More to come. . . .

 
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