The Way the Future Blogs

Algis Budrys
(Photo by William Shunn).
 

By the mid-1960s, Algis Budrys had become a darling of the critics. In the field of science fiction, two of the most respected at that time were Kingsley Amis and James Blish. Kingsley said that the way A J was going, he might become the most honored sf writer since H. G. Wells. Jim was less restrained. He thought that A J was becoming the finest writer in a second language since Joseph Conrad. One of A J’s stories had already been made into a film, though not a particularly good one, and his future was bright.

It was at that point that A J basically stopped writing science fiction and went off to Chicago to get into the public-relations business.

Why?

Well, I don’t know why. When A J took off for Chicago and a brief career as Mr. Pickle in a relish promoter’s PR campaign, it was a surprise to me. Perhaps it was because of the merciless difference between salary income and writer income that I alluded to earlier. By then the Budrys family census stood at six, with four healthy infant sons that needed to be fed every day — and would inevitably need more and more as the years advanced. But I lost touch with him for a year or two.

When I reconnected with him he had escaped from advertising and gone to work as the book editor for Playboy.

That made a certain amount of sense to me, particularly as he was showing signs of getting back to doing writing for me again. I was still editing for Bob Guinn, who had gradually enriched my expense account enough to permit annual trips to spur authors along . When in Chicago, I always spent some time with the Budryses. Their lives appeared to have slowed down and smoothed out.

But in that, too, I was quite wrong.

One day, back at home in New Jersey, I got a phone call from A J. He had news. The Church of Scientology had decided to honor their founder and principal sage, the science-fiction (and everything else, but best known for his science fiction) author L. Ron Hubbard, by establishing a new contest for talented entry-level sf writers that would pave the way for some of them to make the transition to professional success. Since none of the Scientology people knew much about publishing, they needed to find someone who did to save them from making too many blunders, and they had found A J.

“What I’m trying to do for them now,” he said, “is to try to find them major writers who —”

“No,” I said.

“— would be willing to be judges — what did you say?”

“I said, ‘no,’” I told him.

“But you didn’t let me tell you the good parts,” he said,

“That’s right,” I said. “I said, ‘no.’ ”

See how I handled it? A quick, firm decision, and then on to the next thing. No looking back, either.

Except that a few months later, when A J called again to tell me that Theodore Sturgeon, who A J had taken on as my replacement, was gravely ill, and A J was in a really tough spot, and if I could just help him out until he could find someone else. . . .

So I did it. I helped him out, and kept on doing it for the next thirty years.

 
In my defense, I will say that Writers of the Future, now broadened to include artists of the future, is indeed a good thing for beginning writers and artists, who can use all the help they can get. But there it is.

A J didn’t confine his efforts to Writers of the Future for the rest of his life. There was a prolonged, and expensive, period when he tried his luck as publisher of his own magazine Tomorrow Speculative Fiction, but what happened at the end was simply that his health gave out. For the last several years of his life he was housebound in his home in Evanston, Illinois, where he complained that illness had so sapped his strength that he didn’t have energy for anything. Once he said, “There’s a novel I started in January and I’m not even a quarter through it.”

This was sometime in late spring. I said cheerfully, “So keep on plugging away. Sooner or later you’ll get it written.”

“Written?” he said, “I’m not talking about writing a novel. I’m talking about reading one.”

What was wrong with A J’s health was not a single, simple thing. I believe it was diabetes that kept him housebound for so long, but think it was metastasizing cancer that took him away in June of 2008.

He is missed.

 
Related posts:

• A J
• The Worlds of L. Ron Hubbard
• The Worlds of L. Ron Hubbard, Part 2
• Weekends with the Moonies
• Robert A. Heinlein, Algis Budrys and Me

    Algis and Edna Budrys, 1985
    (Photo by William Shunn).

It was a nice spring day in 1950-something and I was up in my third-floor office in the house in Red Bank, New Jersey, trying to telephone my other office in New York.

I wasn’t having much luck. Every time I picked up the phone my then wife, Carol, was already on it. Finally, I gave up, turned off the typewriter and went downstairs to see if the mail had come yet. It had. I was opening it over a cup of coffee when Carol showed up, off the phone at last. “Long call,” I said. “Who were you talking to?”

“Eddie Duna,” she said. “Oh, and I invited her out for the weekend, all right?”

“Oh,” I said. “Listen, I forgot to tell you. I already invited A J. I don’t think they’ve met.”

She gave me a look, but what she said was, “Fine. We’ve got room.” We did, too — a house that was ancient, decrepit, requiring constant infusions of money to keep it standing, but with twelve or so rooms. (I work at home and I don’t like to be crowded. My current home is about the same size, though less decrepit and needing somewhat fewer infusions.)

“Maybe they’ll like each other,” she added. “Maybe they’ll get married. A J could do a lot worse. Edna’s smart and great looking, and she’s got a good job.”

“Well, so could she,” I said, sticking up for my client. “A J is turning into a hell of a writer. What’s for lunch?”

And, you know, they did like each other and, a few months later, they did get married.

Well, that’s not so strange, is it? Happens all the time. A couple introduces friends to each other and sometimes the friends get married.

Well, sure, but what’s unusual about this particular event, at least among my crowd, is that these two stayed married, through four sons and more than fifty years, until 2008, when a long illness finally carried A J off. Hey, I’m some matchmaker! When I make a match it stays made.

 
Algirdas Jonas Budrys was born in 1931 in Lithuania, but he didn’t stay there long. His father was an official in Lithuania’s diplomatic corps and while A J was still small the family was posted to Konigsberg in the German province of East Prussia. A J, who had just about got a good handle on the Lithuanian language, began to learn German. His adult memories of East Prussia — which, like the rest of Germany, had been Nazified with the accession of Adolf Hitler a few years earlier — were troublesome.

He particularly recalled Hitler himself parading right past the Budrys apartment when he was five, he told Mark Williams in an interview shortly before he died. “After the Hitlerjugend walked through, Hitler came by in an open black Mercedes with his arm propped up.” The crowds made “indescribable” sounds. Men lost control of their bowels and had to race for the bushes or writhed and rolled on the ground.

Not long after that, the Budrys family was redeployed to New York. That was a much better posting, especially for a young boy who was beginning to read American children’s stories, but then everything changed.

The Soviet Union occupied all three of the Baltic countries; the Lithuanian diplomatic service ceased to exist, and so did the salary that had kept them afloat in this new country. A J’s father had to find a new way to support his little family. For a while it was farming, but then the Nazis evicted the Soviets and occupied Lithuania, and the other countries themselves, and the American government tardily decided to underwrite people like the Budryses. It looked as though they would be here for a while, so A J began the study of his third language. At which, most critics would agree, he became quite good.

In fact, while attending college, A J began writing stories of his own in English, and even managed to sell a few. Then one day he turned up at my Fifth Avenue literary-agency office to ask if I would take on his representation.

I did. Unfortunately for A J, though — and not all that nicely for me — he came along at a time when I was getting seriously over-extended and in increasingly deep money trouble. In what may have been A J’s last public talk, at the Heinlein Centennial in 2007, the hundredth anniversary of Robert Heinlein’s birth, A J reminisced about those days. “Fred made some great sales for me,” he said. “He even sold John Campbell a story that Campbell had already rejected when I sent it to him myself. But then when Fred sent me his check for the story, it bounced.”

(I regret to say that that’s a true story, though not one I enjoy. Maybe one day I’ll write about my literary-agent days for this blog, but not right now. They were only fifty or sixty years ago and still too painful.)

I couldn’t go on like that. I took the hard decision and packed the agency in, turned all the writers loose and began working to earn the money to pay back the $30,000 I had lost. Mostly I was doing it by writing but, when Horace Gold’s health made him unable to go on editing Galaxy and If, and Bob Guinn offered me the job, I took it. And, of course, A J was one of my principal contributors.

By then A J and Edna were not only married but in the next year or so expecting their first child. They had moved out of the city and into a small apartment in Red Bank, less than half a mile from my own house. That was convenient for A J. When he finished a story for me he could whip the last page out of the typewriter, walk out his door and in ten or fifteen minutes walk it over to my house for, when necessary, an immediate read followed by my trip to the Galaxy office in New York the next morning to bring back Bob Guinn’s check for the story.

“When necessary,” as it happened, was basically always, because when they moved out of New York, they had moved away from Edna’s job. The Budryses were now living on A J’s writing earnings.

Writing money is not like salary money. Salary money comes in a check every Friday, and you can budget according to what you’ll be able to pay. Writing money comes in indigestible lumps — perhaps not much in January, even less in February, a couple hundred, maybe, in March, and then in April a whopping big check, which makes your average income per month look pretty good. But, of course, the grocer, the landlord and everybody else are on their own timetable which has nothing to do with your monthly averages, and so there are problems.

Still, A J was both prolific and good. After a while, the Budryses had risen to the status of renting a house (in Oceanport, closer to the shore) and buying a car. A J, a true son of the automobile age, was now in his element. He developed a new writing behavior that was all his own. Each night, after dinner, he would kiss Edna and the babies (by then there were two of them) good night and jump into his car, carrying a recorder and a good supply of tape.

Then he would drive around for most of the night, more or less at random, steering with one hand and holding the tape recorder with the other to dictate stories into. When he had filled enough tape to satisfy himself he would drive home, park the car, hand the tape over to Edna to be typed out and hit the sack for a good day’s sleep.

Sometimes he hadn’t quite finished the stories when he turned them in, especially when it came to putting a title on them, so we would wrangle over that before I would concede the story was accepted. Generally, that didn’t take long but there was one story — allusive, subjective, poetic — that gave us particular trouble. After we both had come up empty I asked, “All right, A J, just tell me what the story’s about.”

He said, unhappily, “I can’t. I just know it’s what I wanted to write.”

I was leafing through the manuscript. “All right,” I said at last, “Here in the first couple of pages there are some phrases that I like, One is ‘wall of crystal’ and the other is ‘eye of night.’ How about calling it ‘Wall of Crystal, Eye of Night’?”

He gave me a pop-eyed look. “What does it mean?”

I said, “I don’t know, but I promise you that if we do, no one will ever ask you that question.” And no one ever did.

I have been asked which of A J’s stories were written in this hard-driving way, and I don’t know the answer. He had begun writing novels by then and my guess is that that was the system for two of them, probably Who? and Rogue Moon, but it’s only a guess. I don’t think it was many, perhaps not any, of the pieces I published, with the possible exception of the one of his novels that I ran as a three-part serial, The Iron Thorn.

Which nearly resulted in a homicide.

You know what the first law of editing is? It is this: “Never, ever, announce a story by a particular writer until the completed manuscript is safely in your hands.”

I didn’t just violate that law. I did worse. I wanted to start a new serial in the next issue of If, which was just about to go to the printer, and I didn’t have one. What I did have was Part One of A J’s The Iron Thorn. That was just the kind of story I wanted for that spot, but every warning bell in my mind was clanging away. . . .

I ignored them. I crossed my fingers, sent Part One off to the printers and hoped for the best.

I don’t want to tell you how many deadlines we came a hairsbreadth from missing over the next two issues, but A J, though often coming through at the last moment, and I mean by that the very, very last moment, did unfailingly come through, so I didn’t have to kill him.

But I never did that again.

 
To be continued. . . .

 
Related posts:

• A J, Part 2
• Robert A. Heinlein, Algis Budrys and Me
• The Worlds of L. Ron Hubbard

Robert A. Heinlein

Then there was the affair of Robert Heinlein, Algis Budrys and Stranger in a Strange Land.

I was editor of Galaxy at the time. I had hired AJ as our official book reviewer, a job which he took seriously and performed well, and when Heinlein published a major new novel called Stranger in a Strange Land, AJ went all out in a detailed and penetrating criticism — which, when he delivered it and I began to read, filled me with horror.

If there was one thing I knew about Heinlein it was that he was almost pathologically protective of his privacy — had threatened to sue people who invaded it — and, I was pretty sure, would take a dim view of some of AJ’s quite perceptive remarks. So there was a dilemma. I didn’t want to deprive AJ of an audience for a piece of good, hard work. I also didn’t want to get Robert mad at me. I stewed over the problem for a while, finally decided to leave the decision up to Robert himself and shipped off a copy of the review to him, pleased with myself for having solved the problem.

Then, a week or two later, the mailman handed me a large and heavy manila envelope with Heinlein’s return address on it and, “My God,” I said out loud, “Bob has written me a novelette!”

    Algis Budrys

I was wrong about that, though. The twenty or thirty closely typed pages in the envelope weren’t fiction, they were an impassioned denunciation of the review, of invasive reviews in general and of the person who had written it — who, Robert conjectured, was some effete New York bookworm who had never traveled more than a few dozen miles from his home and had no knowledge of what the real world was like.

This was a factual error on Robert’s part, because AJ was actually born in Lithuania, the son of a high-ranking diplomat who was assigned first to Nazi Germany and then, while AJ was still a young boy, the United States. (English was actually AJ’s third language, after Lithuanian and German.) However, I could recognize a cry of pain when I heard it, so I ash-canned the review and told both Robert and AJ that it wouldn’t be published.

I am still not sure that I made the morally correct decision, but anyway it had a happy ending. At the Seattle Worldcon a little later I had the pleasure of introducing AJ to Robert. They hit it off and became friends.

 
Related posts:

• The Wives (and Drives) of Robert A. Heinlein: Part 1, Leslyn, Ginny
• Working with Robert A. Heinlein: Part 1, Part 2
• A J: Part 1, Part 2
• Greetings from S17° 32.18′ W149° 34.17′

When people ask me why I became a judge for the “Writers of the Future” contest, I tell them that it was AJ Budrys’s fault. Until AJ worked his will on me, I was making it a point to stay as far as I could from Dianetics and Scientology and all the other weird things that my hero and mentor John Campbell had chosen to believe in. (Hieronymus Machine, Dean Drive, et many a c.)

It wasn’t simply that I didn’t believe in Scientology as a religion. I didn’t, but then I don’t believe in your religion, either, whatever it happens to be, because I don’t “believe” in anything that has to be taken on faith. People who take faith-based actions have caused many, probably most, of the world’s messiest disasters, from our present economic catastrophe to most, maybe all, wars.

Algis Budrys

So when AJ phoned me one morning to invite me to become a judge in the new “Writers of the Future” contest sponsored in L. Ron Hubbard’s name by the Scientologists, I didn’t let him tell me how nicely they would treat me and what a wonderful deal it would be for struggling writers. I just said no and declined to discuss it.

That’s where it stood for a few months, until AJ got back on the phone. He reminded me that when I turned him down, he had recruited Theodore Sturgeon to take my place as a judge, and then sorrowfully let me know that it wasn’t working out. Ted’s health had begun to fail. He was now hospitalized, at death’s door and with no hope of recovery — or of managing to read the dozen manuscripts that were sitting by his hospital bed, written by the first group of contestants, who had already been waiting far longer than was fair. So would I please, just this once —?

How could I refuse? I couldn’t. I didn’t. I told AJ to ship me the damn manuscripts. When they arrived I put everything else aside to read them — I was working as Bantam’s science-fiction editor in those years, plus writing my own books, and so without a lot of spare time on my hands. Then I read parts of the stories again. Then I emailed my votes to Author Services, which is the action wing of “Writers of the Future,” and then I went back to my life, feeling pleased with myself for having given a friend a helping hand in an hour of need. And then — Well, then things changed.

When people ask me how I wound up as an almost 30-year veteran as a Woffie judge I usually give them the short version: “I signed on to do them a favor, and then I just forgot to quit.” But it is a little more complicated than that.

My basic feelings hadn’t changed, pro and con. Let me give you the major arguments, as the debate had gone on in my head: To begin with, there are some pretty unpleasant things that have been said about pernicious practices of Scientology, and I believe that at least some of them are true. On the other hand, they’re not the only religion that has done lousy things, and at least I’ve never heard it said that Scientologists have murdered anyone. (That’s more than I can say for most of the major religions I know of.)

Looking at the other side of the argument, the pro-Scientology one, religions over the years in general seem to have given comfort to many people. That arguably is not necessarily a good thing, because the comfort of religion has frequently been employed to make people, usually poor people, accept manifestly unfair treatment without resistance, on the grounds that accepting evil in this life will buy them an eternity in heaven. (That’s what Karl Marx was talking about when he said that religion was the opium of the people.) On the other hand; most lives are marked with serious sorrows of one kind or another, and it does appear that religion can make these burdens perhaps a little easier to bear.

I have to say that I deem that to be a powerful argument, maybe the only meaningful one, for putting up with the problems religious beliefs cause. There is not so much comfort to be found in this world that I want to take any of it away from anyone who has found some.

And, anyway, the specific matter we were discussing — the “Writers of the Future” contest — is by and large a good thing for writers, who need all the help in getting started that they can get. And the Woffies have been kind to me, kind enough to spare me most of the Hubbard idolatry that does creep into some of their activities as well as kind in many creature-comfort ways. So I have stayed.

 
Oh, not without occasional qualms.

I said that the contest is a good thing for writers, which it is, but even good things may have some flaws. There’s more of the idolatry in the annual awards ceremony than there used to be. Ron’s name is everywhere, the giant photos of him stare down from the stage and, perhaps most of all, there is the way almost every winner prefaces his remarks with thanks to Ron for making the whole thing possible. All of that is the unarguable right of the organizers, of course, since they pay the piper, but it strikes me as annoyingly heavy-handed.

Nevertheless, when unpublished writers ask for advice about how to get their careers moving I always advise them to enter their stories in the WotF contest. It’s easy enough to do. You go to a bookstore and ask them for a copy of L. Ron Hubbard Presents Writers of the Future. Each copy contains an entry blank, with the contest’s address, and a copy of the rules and rewards. (Or you can get them off the web, but it’s a good idea to read some of the winning stories.) Type out a nice clean copy of your best story and send it in to that address. Three months later, do the same with your second best story. Three months after that, your third best, and you keep on doing that every three months until you run out of stories. (Which actually you should never do. You’re still writing, aren’t you?)

The reason for doing it that way is that the contest is organized on a quarterly basis. Every three months, the staff gathers up all the stories that have accumulated in that period, makes copies for each quarterly judge and ships them out. When the judges have finished their deliberations, the winner gets $1,000, with lesser amounts for second and third place. Then, when the fourth quarter has been dealt with, the four quarterly winners go to a different set of judges, who pick the grand winner, who gets another $4,000, to make the total an even Five Large. (An amount which seemed a lot more impressive twenty-odd years ago than it does now, but, hey, that doesn’t mean it isn’t worth having.)

The thing to remember is that each quarterly batch is separate. One batch may be twice as good as the next. Or, through the luck of the draw, may just have more or fewer good stories. Or — a bad deal for you, as I know because it has happened to me in other awards — there can chance to be two or more stories in the same batch, each of which is really good and would be an easy winner, if only the other or others had been in different batches. That would be tough luck. But it’s a problem you can’t prevent, so that’s why you try to be in as many quarterly batches as possible.

Okay, suppose you do win, what then?

Then Author Services flies you to wherever the awards are to be given out that year, usually around Hollywood. (But now and then at a more interesting venue. Some past ceremonies have been at the Science Fiction Museum in Seattle, at the Houston Space Center and at the United Nations in New York.) There they will put you up in a nice hotel and provide you with three decent squares while you’re there. And there will be at least two events going on. The big one is the actual awards ceremony where, unless you are lucky enough to be female, you will be asked to wear a tux. There you will get up on the stage to accept your award and say thank you, and then you socialize with a bunch of other winners, some other writers and a collection of more or less celebrities at a subsequent buffet. (Nice food, by the way.)

Continue reading ‘The Worlds of L. Ron Hubbard’ »

Which, as you know, is the largest island in the Marquesas group, and the one in whose harbor we are now anchored so that our shipmates may storm ashore in search of tapa cloth and guaranteed authentic ironwood carved war clubs.

Betty Anne and I, shipboard, 2009.

The other thing about Nuku Hiva is that it is the last dry land we are going to see until, after seven more days at sea, we dock once more in San Diego. This has certain consequences, among them the fact that something we do with our computers is incompatible with something the local comsats do up there in orbit. I won’t bore you by providing a more technical explanation of the problem (as if I could!), but what it means is that the posts I have been writing for transmission to our blogmeisters, Dick and Leah, aren’t going to get transmitted anywhere until we are back in our own home. And then they may not get to you in the proper order, as planned for your maximum reading enjoyment.

Ah, well. Sorry about that. I’ll try to do better. Meanwhile. . . .

I said in the beginning that I intended to provide reminiscences of some people who might interest you, and you might like to get an idea of who these people are. They appear to come in five categories: writers I have collaborated with to one degree or another (Williamson , Kornbluth, Asimov, Hubbard, etc.), writers who were my clients when I was a literary agent (Asimov, Budrys, Wyndham, etc.), writers I published when I was an editor (Asimov, Niven, Doc Smith, Heinlein, etc.), writers I hung around with a lot (Asimov, Silverberg, Ellison, etc. — you will note that some people come under more than one of these headings) and, the smallest of these categories, the nonwriters. This includes editors and publishers (the Ballantines, John Campbell, Horace Gold, etc.) and a few assorted scientists, politicians and other special cases (Carl Sagan, a local Democratic Party boss, a U.S. senator and so on).

Quite a few of these I have already written about in one form or another and those bits just need touchups to pass on to you, and so I will start them soon and keep them going as long as my right index finger permits. Along with whatever other kinds of comments I think you might be willing to sit still for. And I hope you’ll enjoy.