Archive for the ‘Personal’ Category

If you live in Brooklyn, or go there now and then, please be advised that there’s going to be a giant Book Festival there on September 18th.

And the organizers are going to be distributing some 40,000 bookmarks all around town containing my picture and some biographical notes to explain why I am a true son of Brooklyn — born and bred there for the first twenty years of my life — although I haven’t lived there since 1942. Not only that, if you visit Brooklyn’s gorgeous Botanic Garden there’s supposed to be a lane, walk or ramble in the Garden named after me.

What a pity that I can’t visit it myself!

I was not employed by Popular Publications for five or six months, during which time I didn’t look for another job. I decided to go for full-time writing instead, but when that period was over — when I got a telegram from Al Norton, asking me to come back as his assistant, at close to twice what I’d been earning as editor of my own two magazines — I said sure.

Everything I wrote in that period sold, some of it at a word rate twice as high as my highest before then, for a total income per week of work that was actually a tad higher than I had been getting from editorial salary plus my spare-time writing. Not everything sold immediately, though, and all in all that experience validated what I had long been saying for a long time: freelancing paid pretty well, but the checks came when they came, and not a minute before. It was nothing you could finance a marriage on.

And, as it happened, my girlfriend, Doris, was getting pretty tired of being a girlfriend around that time. She much preferred the honorific “wife.” But we’ll come to that a little later.

 
Although I had been out of the office only a few months, there had been some big changes already and more were coming. Frank A. Munsey’s magazine empire, consisting mostly of the weekly Argosy and a few other odds and ends, had been up for sale for some time, and when the price declined enough to be a bargain, Harry Steeger and Harold S. Goldsmith bought Munsey’s stable.

The one magazine that they continued pretty much unchanged was Famous Fantastic Mysteries, along with its editor, Mary Gnaedinger, a friendly and able woman a little older than I, who had settled in in what had once been my office. Steeger had big plans for Argosy. He was considering making it a men’s magazine, perhaps a little like Esquire, but he was taking his time making it happen.

My biggest surprise was that Jane Littel was gone, and a middle-aged man, salvaged from Munsey’s payroll, was editing the love pulps. I never met him but he created a minor annoyance for me. He found a poem of mine in the inventory, and not having been told that it was meant to be used under a pseudonym, went ahead and published it as by Frederik Pohl.

I do not claim that my published verse would make Frost or Eliot envious, but I didn’t want to be remembered for my sappier 25¢-a-line effusions. It turned out not to matter, since apparently none of the readers of the love pulps had ever heard of me anyway.

Rog Terrill’s monkey cage of male young editors had been depleted by the draft, and Al Norton’s helpers were gone as well, every one. I never knew any of Rog’s replacements well enough to remember their names.. Al, after losing all of his, had begun to replace them with two young women. One was named Olga Mae Quadland, friendly, able and good at the obligatory skills of spelling, grammar and punctuation. The other was a very pretty recent divorcee from San Diego, in New York for the first time of her life, and, actually, the one who turned out to be my second wife.

But that’s another story, and one that we haven’t come to yet.

 
To be continued. . . .

 
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International Observer, Jan. 1937

One of my early publishing efforts, the clubzine of the International Scientific Association, which was neither international nor scientific.

So many people were happy when I posted my piece on what it was like to work for a pulp house in the early ’40s that I decided to do the same for every publisher I worked for. That’s a fair-sized list of over a span of four decades — five if you count the fanzine publishing I started with, and I do. This is the list:

1930s Fanzine publishing
Early 1940s Popular Publications
1948–1953 Popular Science books
1953–1960 Ballantine Books
1960–1967 Galaxy
1972 Ace Books
1973–1980 Bantam Books

The list is only approximate, because that’s what some of my jobs were, approximate. I was never on the payroll at Ballantine, but in the course of delivering, let me see, 14 books to them over maybe a dozen years I might as well have been. (And by the way, don’t pay too much attention to the dates. I was actually editing Galaxy for close to ten years before I put my name on the masthead because I thought, or hoped, that Horace would recover from his medical problems and come back. And I wasn’t with Ace for a full year. It was maybe seven months before I just couldn’t stand it any longer.)

 
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How to Make Paper Flowers

 

After the war — that’s World War II, I’m talking about, what did you think? — I went to work as copywriter for a tiny Mad Ave. advertising agency called Thwing & Altman. It wasn’t a boring job, and one of the things I liked about it was that one of my favorite over-the-top novelists, Tiffany Thayer, was among my predecessors in holding it. But I turned out to be good at that kind of work, and they weren’t paying me particularly well, so before long I was studying the Help Wanted pages in the Times again.

It was still a boom time for the unemployed. Jobs were begging for people to fill them as America got back in the business of business. There was one particular listing which seemed to be addressed to me almost by name — I no longer remember what it was in the specifications that seemed to bear my initials, but the moment I saw the ad I lusted for it. The ad had been placed by an employment agency, so I called them up, made an appointment, sneaked out of the office with some of my roughs under my arm and laid them proudly before the man who had agreed to see me.

“Um,” he said. “Not too bad. Have you made a resume?” Of course I had, but when I handed it to him he looked puzzled. He gave me a dubious glance, studied the resume one more time and then said, “It doesn’t name the college you went to.”

At times in the past I had wondered if that question might ever handicap me in my chosen career. But no one who ever hired me for anything had ever asked about it before, so his comment rather surprised me. “Óh,” I said, “I never went to a college. I dropped out of high school as soon as I was seventeen.”

That got a reaction out of him. He gave me a scowl of repugnance, stuffed all my papers back into their folder and said, “You’ve wasted my time. This is a good job with a very important publishing company. Naturally they’re not going to hire anyone without at least a bachelor’s degree.” And I crept out of his office in humility, hardly daring to look at even the receptionist out of my high-school-dropout eyes.

But the ad was still in the paper on the next Sunday, as well as the as the Sunday after that. Moreover, although there were plenty of other jobs on offer, there weren’t any that seemed to be calling me by name, so I got back on the phone. “I called,” I said, after identifying myself and feeling the temperature drop when I did, “because I noticed that ad was still running, and I wondered — ”

“Mr. Pohl,” he said severely, “I told you that you’re simply not qualified for a job of this caliber. If anything comes up that might suit you I’ll keep you in mind. Goodbye.”

I hung up, meditating violence. But time passed and I cooled down. And, more important, the ad continued to run. So a few weeks later I called again. My account executive was beginning to sound tired of the subject, but he admitted they had run out of candidates. “All right,” he said. “I don’t suppose it would hurt anything if I let you try your luck. It’s the Popular Science Publishing Company, on Fourth Avenue around 28th Street. The man you want to see is their advertising director for circulation and books, and his name is George Spoerer. I’ll give him a call to say you’re coming — ”

“Well, no,” I said. “Let’s not do that. I’ll call him for an appointment myself. And, don’t worry, I won’t forget about your commission on my first week’s salary.”

I had been worrying a little myself about what this hard to please Mr. Spoerer might be like, but on the phone he sounded like a reasonable human being and when I got to his office he looked and acted that way too. Not only that, but, when I showed him some of the house ads I’d written at Popular Publications, he revealed himself as at least a part-time science-fiction fan. And when George Spoerer had decided I could do the job he walked me into the office of his boss, the Circulation Manager of the company, Eugene Watson, and he wasn’t bad either. And twenty minutes later I had the job.

I didn’t know how my account executive at the employment agency would take that news. When I phoned he just sighed a long sigh and began reminding me that, under New York law, their commission was a collectible debt and they would expect weekly checks from me until it was paid off. “All right,” I said, and hung up.”

I had intended at least to say “thank you,” but it no longer sounded appropriate.

 
I forgot to mention that, as I was leaving, George said, “Did I tell you about your other jobs?” And when I said an apprehensive no he said, “Don’t look so apprehensive. One is Subscription Fulfillment Manager, and all that requires is that you let Old Jim tell you what’s going on in that department so you can answer any questions the higher brass might ask. That’s where we have twenty-five young girls to type out the addressograph stencils that make labels for subscribers. Old Jim is the actual boss of the department because he’s too old and too religious to cause any trouble with those twenty-five young girls. But he’s hopeless when he tries to talk to a vice president.”

As I had never talked to a corporate vice president myself I crossed my fingers and went on to the next point. “And the other job?”

“That’s no sweat, too. The title is Book Editor for books published by our two magazines, Popular Science and Outdoor Life. We make a good thing out of mail-order books for home handymen and sport fishers. Since the magazines buy all rights we take material that appears in the magazines and retread it for how-to books.

“You don’t do that work yourself, of course. You hire an editor to do it, and you just make sure it’s done right — I’ll show you how it’s done over the table at the Gramercy Park, if you’ll have lunch with me on Monday.”

“A week from Monday, if you don’t mind,” I said. “I’d like to give Mr. Altman a little notice.” And a week from Monday it was.

Continue reading ‘My Life as Book Editor for Popular Science’ »

All the Lives He Led

 
 

Oh, and by the way, have you noticed that Booklist Online’s latest list of the ten best science-fiction and fantasy books of the year and, oh, my goodness, Number One on the list is All the Lives He Led by You Know Who. (Number Two is old friend Larry Niven’s The Best of Larry Niven and the third begins with a D, but let’s not hear any loose talk about alphabetizing lists of titles around here.)

Frederik Pohl IV

Frederik Pohl IV
 

I used the word “movie” in conjunction with the word “Gatewaythe other day, and several quick-witted blog readers wrote in to ask what was going to happen with a film for my novel of that title. I shouldn’t have said anything, because it’s a long way from anything tangible, but I was kind of excited about it.

The small amount of news behind my remark is just that, after the previous producers spent somewhere around a million dollars on scripts without finding one they could film, I decided, in collaboration with my son Rick, aka Fred the 4th, to write our own. I do hope it works out well and maybe earns us at least an Emmy or something.

Rick already has three Emmys of his own, but his problem is his good wife is collecting them faster than he is, so what he would really like is an Oscar.

Of course, before we can start thinking about that we really should finish writing the script.

 
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