Algis Budrys (Photo by William Shunn).

Algis Budrys
(Photo by William Shunn).
 

By the mid-1960s, Algis Budrys had become a darling of the critics. In the field of science fiction, two of the most respected at that time were Kingsley Amis and James Blish. Kingsley said that the way A J was going, he might become the most honored sf writer since H. G. Wells. Jim was less restrained. He thought that A J was becoming the finest writer in a second language since Joseph Conrad. One of A J’s stories had already been made into a film, though not a particularly good one, and his future was bright.

It was at that point that A J basically stopped writing science fiction and went off to Chicago to get into the public-relations business.

Why?

Well, I don’t know why. When A J took off for Chicago and a brief career as Mr. Pickle in a relish promoter’s PR campaign, it was a surprise to me. Perhaps it was because of the merciless difference between salary income and writer income that I alluded to earlier. By then the Budrys family census stood at six, with four healthy infant sons that needed to be fed every day — and would inevitably need more and more as the years advanced. But I lost touch with him for a year or two.

When I reconnected with him he had escaped from advertising and gone to work as the book editor for Playboy.

That made a certain amount of sense to me, particularly as he was showing signs of getting back to doing writing for me again. I was still editing for Bob Guinn, who had gradually enriched my expense account enough to permit annual trips to spur authors along . When in Chicago, I always spent some time with the Budryses. Their lives appeared to have slowed down and smoothed out.

But in that, too, I was quite wrong.

One day, back at home in New Jersey, I got a phone call from A J. He had news. The Church of Scientology had decided to honor their founder and principal sage, the science-fiction (and everything else, but best known for his science fiction) author L. Ron Hubbard, by establishing a new contest for talented entry-level sf writers that would pave the way for some of them to make the transition to professional success. Since none of the Scientology people knew much about publishing, they needed to find someone who did to save them from making too many blunders, and they had found A J.

“What I’m trying to do for them now,” he said, “is to try to find them major writers who —”

“No,” I said.

“— would be willing to be judges — what did you say?”

“I said, ‘no,’” I told him.

“But you didn’t let me tell you the good parts,” he said,

“That’s right,” I said. “I said, ‘no.’ ”

See how I handled it? A quick, firm decision, and then on to the next thing. No looking back, either.

Except that a few months later, when A J called again to tell me that Theodore Sturgeon, who A J had taken on as my replacement, was gravely ill, and A J was in a really tough spot, and if I could just help him out until he could find someone else. . . .

So I did it. I helped him out, and kept on doing it for the next thirty years.

 
In my defense, I will say that Writers of the Future, now broadened to include artists of the future, is indeed a good thing for beginning writers and artists, who can use all the help they can get. But there it is.

A J didn’t confine his efforts to Writers of the Future for the rest of his life. There was a prolonged, and expensive, period when he tried his luck as publisher of his own magazine Tomorrow Speculative Fiction, but what happened at the end was simply that his health gave out. For the last several years of his life he was housebound in his home in Evanston, Illinois, where he complained that illness had so sapped his strength that he didn’t have energy for anything. Once he said, “There’s a novel I started in January and I’m not even a quarter through it.”

This was sometime in late spring. I said cheerfully, “So keep on plugging away. Sooner or later you’ll get it written.”

“Written?” he said, “I’m not talking about writing a novel. I’m talking about reading one.”

What was wrong with A J’s health was not a single, simple thing. I believe it was diabetes that kept him housebound for so long, but think it was metastasizing cancer that took him away in June of 2008.

He is missed.

 
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A J

Algis and Edna Budrys, 1985 (Photo by William Shunn).

    Algis and Edna Budrys, 1985
    (Photo by William Shunn).

It was a nice spring day in 1950-something and I was up in my third-floor office in the house in Red Bank, New Jersey, trying to telephone my other office in New York.

I wasn’t having much luck. Every time I picked up the phone my then wife, Carol, was already on it. Finally, I gave up, turned off the typewriter and went downstairs to see if the mail had come yet. It had. I was opening it over a cup of coffee when Carol showed up, off the phone at last. “Long call,” I said. “Who were you talking to?”

“Eddie Duna,” she said. “Oh, and I invited her out for the weekend, all right?”

“Oh,” I said. “Listen, I forgot to tell you. I already invited A J. I don’t think they’ve met.”

She gave me a look, but what she said was, “Fine. We’ve got room.” We did, too — a house that was ancient, decrepit, requiring constant infusions of money to keep it standing, but with twelve or so rooms. (I work at home and I don’t like to be crowded. My current home is about the same size, though less decrepit and needing somewhat fewer infusions.)

“Maybe they’ll like each other,” she added. “Maybe they’ll get married. A J could do a lot worse. Edna’s smart and great looking, and she’s got a good job.”

“Well, so could she,” I said, sticking up for my client. “A J is turning into a hell of a writer. What’s for lunch?”

And, you know, they did like each other and, a few months later, they did get married.

Well, that’s not so strange, is it? Happens all the time. A couple introduces friends to each other and sometimes the friends get married.

Well, sure, but what’s unusual about this particular event, at least among my crowd, is that these two stayed married, through four sons and more than fifty years, until 2008, when a long illness finally carried A J off. Hey, I’m some matchmaker! When I make a match it stays made.

 
Algirdas Jonas Budrys was born in 1931 in Lithuania, but he didn’t stay there long. His father was an official in Lithuania’s diplomatic corps and while A J was still small the family was posted to Konigsberg in the German province of East Prussia. A J, who had just about got a good handle on the Lithuanian language, began to learn German. His adult memories of East Prussia — which, like the rest of Germany, had been Nazified with the accession of Adolf Hitler a few years earlier — were troublesome.

He particularly recalled Hitler himself parading right past the Budrys apartment when he was five, he told Mark Williams in an interview shortly before he died. “After the Hitlerjugend walked through, Hitler came by in an open black Mercedes with his arm propped up.” The crowds made “indescribable” sounds. Men lost control of their bowels and had to race for the bushes or writhed and rolled on the ground.

Not long after that, the Budrys family was redeployed to New York. That was a much better posting, especially for a young boy who was beginning to read American children’s stories, but then everything changed.

The Soviet Union occupied all three of the Baltic countries; the Lithuanian diplomatic service ceased to exist, and so did the salary that had kept them afloat in this new country. A J’s father had to find a new way to support his little family. For a while it was farming, but then the Nazis evicted the Soviets and occupied Lithuania, and the other countries themselves, and the American government tardily decided to underwrite people like the Budryses. It looked as though they would be here for a while, so A J began the study of his third language. At which, most critics would agree, he became quite good.

In fact, while attending college, A J began writing stories of his own in English, and even managed to sell a few. Then one day he turned up at my Fifth Avenue literary-agency office to ask if I would take on his representation.

I did. Unfortunately for A J, though — and not all that nicely for me — he came along at a time when I was getting seriously over-extended and in increasingly deep money trouble. In what may have been A J’s last public talk, at the Heinlein Centennial in 2007, the hundredth anniversary of Robert Heinlein’s birth, A J reminisced about those days. “Fred made some great sales for me,” he said. “He even sold John Campbell a story that Campbell had already rejected when I sent it to him myself. But then when Fred sent me his check for the story, it bounced.”

(I regret to say that that’s a true story, though not one I enjoy. Maybe one day I’ll write about my literary-agent days for this blog, but not right now. They were only fifty or sixty years ago and still too painful.)

I couldn’t go on like that. I took the hard decision and packed the agency in, turned all the writers loose and began working to earn the money to pay back the $30,000 I had lost. Mostly I was doing it by writing but, when Horace Gold’s health made him unable to go on editing Galaxy and If, and Bob Guinn offered me the job, I took it. And, of course, A J was one of my principal contributors.

By then A J and Edna were not only married but in the next year or so expecting their first child. They had moved out of the city and into a small apartment in Red Bank, less than half a mile from my own house. That was convenient for A J. When he finished a story for me he could whip the last page out of the typewriter, walk out his door and in ten or fifteen minutes walk it over to my house for, when necessary, an immediate read followed by my trip to the Galaxy office in New York the next morning to bring back Bob Guinn’s check for the story.

“When necessary,” as it happened, was basically always, because when they moved out of New York, they had moved away from Edna’s job. The Budryses were now living on A J’s writing earnings.

Writing money is not like salary money. Salary money comes in a check every Friday, and you can budget according to what you’ll be able to pay. Writing money comes in indigestible lumps — perhaps not much in January, even less in February, a couple hundred, maybe, in March, and then in April a whopping big check, which makes your average income per month look pretty good. But, of course, the grocer, the landlord and everybody else are on their own timetable which has nothing to do with your monthly averages, and so there are problems.

Still, A J was both prolific and good. After a while, the Budryses had risen to the status of renting a house (in Oceanport, closer to the shore) and buying a car. A J, a true son of the automobile age, was now in his element. He developed a new writing behavior that was all his own. Each night, after dinner, he would kiss Edna and the babies (by then there were two of them) good night and jump into his car, carrying a recorder and a good supply of tape.

Then he would drive around for most of the night, more or less at random, steering with one hand and holding the tape recorder with the other to dictate stories into. When he had filled enough tape to satisfy himself he would drive home, park the car, hand the tape over to Edna to be typed out and hit the sack for a good day’s sleep.

Sometimes he hadn’t quite finished the stories when he turned them in, especially when it came to putting a title on them, so we would wrangle over that before I would concede the story was accepted. Generally, that didn’t take long but there was one story — allusive, subjective, poetic — that gave us particular trouble. After we both had come up empty I asked, “All right, A J, just tell me what the story’s about.”

He said, unhappily, “I can’t. I just know it’s what I wanted to write,”

I was leafing through the manuscript. “All right,” I said at last, “Here in the first couple of pages there are some phrases that I like, One is ‘wall of crystal’ and the other is ‘eye of night.’ How about calling it ‘Wall of Crystal, Eye of Night’?”

He gave me a pop-eyed look. “What does it mean?”

I said, “I don’t know, but I promise you that if we do, no one will ever ask you that question.” And no one ever did.

I have been asked which of A J’s stories were written in this hard-driving way, and I don’t know the answer. He had begun writing novels by then and my guess is that that was the system for two of them, probably Who? and Rogue Moon, but it’s only a guess. I don’t think it was many, perhaps not any, of the pieces I published, with the possible exception of the one of his novels that I ran as a three-part serial, The Iron Thorn.

Which nearly resulted in a homicide.

You know what the first law of editing is? It is this: “Never, ever, announce a story by a particular writer until the completed manuscript is safely in your hands.”

I didn’t just violate that law. I did worse. I wanted to start a new serial in the next issue of If, which was just about to go to the printer, and I didn’t have one. What I did have was Part One of A J’s The Iron Thorn. That was just the kind of story I wanted for that spot, but every warning bell in my mind was clanging away. . . .

I ignored them. I crossed my fingers, sent Part One off to the printers and hoped for the best.

I don’t want to tell you how many deadlines we came a hairsbreadth from missing over the next two issues, but A J, though often coming through at the last moment, and I mean by that the very, very last moment, did unfailingly come through, so I didn’t have to kill him.

But I never did that again.

 
To be continued. . . .

 
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All the time some of us put in to learn Klingon no longer avails, because the new lingua faana is the one devised by linguistics professor Paul Frommer for James Cameron’s Avatar. With an existing vocabulary of hundreds of words and using sounds that are familiar in terrestrial languages — but not all of them in English — it sounds musical and plausibly foreign.

Language lessons at your next con?

Oil slick around Mississippi Barrier Islands (NASA E0-1 Satellite photo).

Oil slick around Mississippi Barrier Islands (NASA E0-1 Satellite photo).

 
Years ago, in collaboration with Isaac Asimov, I wrote a book on the environment called Our Angry Earth. It wasn’t particularly successful. I have to admit that it wasn’t quite as good a book as I could have wished, either. Isaac got sick almost at the very moment we agreed to do it, and so he wasn’t able to do anywhere near as much of the writing as I had expected — to the detriment of the book.

Our Angry Earth

But there were several parts of the book that were all mine and had always been intended to be so. One of those was the section that demonstrated that many of the problems associated with pollution and environmental damage were simply a matter of bad bookkeeping.

For example. Between 1947 and 1977, General Electric dumped some 1.3 million pounds of extremely toxic polychlorinated biphenyls (PCBs), waste products from the manufacture of electronic devices in two of its factories, into the upper reaches of the Hudson River. GE did this because, although safe disposal of the PCBs was quite possible, it would have added significantly to the manufacturing cost of the devices. Dumping the PCBs in the river cost General Electric little more than the charge for trucking them to the river’s edge.

This is not to say that there were no costs involved in the dumping. There were many costs, and some of them were quite high. The pollution of the river made its fish inedible, causing the cash loss of a commercial fishing industry. The restrictions on even sport fishing meant that fewer vacationers spent their summers there, to the loss of tourism. The health of people living nearby was compromised, at an incalculable cost. Real estate prices dropped as the area lost some of its attractiveness. Put them all together and there were real costs amounting to millions of dollars for the dumping. All those costs, though, were what accountants call “externals.”

That means that they were costs that General Electric didn’t have to pay, because the bills went directly to the rest of the world..

Proper accounting procedures, on the other hand, would have immediately tacked them onto the manufacturing costs — thus making it better business to dispose responsibly of the pollutants.

And thus, if it were common practice to make enterprises pay for their externals, many of the problems relating to industrial pollution would simply disappear. (It is true, however, that the courts finally ordered GE to pay for a partial cleanup of the river. That didn’t heal all the damage done, but at least it was something, and it showed a dawning awareness that externals should not be neglected indefinitely.)

 
It is not only manufacturers that foist their external costs off on the public. The extractive industries, among others, are at least equally blameworthy if not more so. In the oil and coal industries we have only to look at the Gulf of Mexico to see what external costs British Petroleum has imposed on the nearby population. (It is true that President Obama is forcing them to pay billions of dollars in restitution, but it is impossible to make some of the losses whole. Even BP doesn’t have that much money.)

And, of course, the Gulf oil spill is only one, if so far the most severe, among many such disasters. Some of us will recall the Exxon Valdez back in 1989, but in fact there has been at least one major spill — “major” meaning at least tens of thousands, and all too often tens of millions, gallons of oil spilled — somewhere in the world almost every year.

Major oil spills in waterways, last five years, as supplied by Infoplease:

  • 2010: BP, Deepwater Horizon, Gulf of Mexico
  • 2010: Tanker Eagle Otome, Port Arthur, TX
  • 2009: MV Pacific Adventurer, Queensland, Australia
  • 2008: Barge, Mississippi River, New Orleans, LA
  • 2007: Tanker Hebei Spirit, off coast of South Korea
  • 2006: Calcasieu River LA, waste oil spill
  • 2006: Israeli navy bombing Jieh coast power station
  • 2006: Tanker sinks in deep water, still there leaking oil, Guimaras, Philippines
  • 2005: 7 million gallons oil spilled during Hurricane Katrina, New Orleans, LA

(Before that, the list is very long.)

All the same, it’s obvious that the costs of an oil well blowing out dwarf other oil spills. BP’s Deepwater Horizon’s oil spill — so far — is estimated at over 160 million gallons. The only other spill that came even close was the Ixtoc. of 1979, also in the Gulf of Mexico. That one spilled 140 million gallons over the three months before it got stopped — by drilling a relief well next to it And there too the party responsible for the disaster was an oil company, Mexico’s Pemex.

So much for oil. What about coal?

The coal companies are, if anything, perhaps a little more rapacious than the oil companies. In the United States, their main unmet external costs are floods, landsides, the conversion of beautiful mountain areas into open-pit mines … and dead miners.

And how do these giant companies get away with it?

The answer is simple: money. The officials you and I vote for to protect our interests are sometimes all too willing, for money, to sell their votes to the very people we most need protection against.. It’s not really a matter of party, either. The Republicans are traditionally a little more friendly to big business than the Democrats, yes. But there are some eight Democratic Senators who are known, for obvious reasons, as the Coal Democrats. And at least one commentator does not believe that in the states bordering the Gulf of Mexico there is a single legislative or judicial candidate of either party who has not received substantial money from Big Oil.

That’s the main other contribution I tried to make in Our Angry Earth. We individuals do not have anywhere enough muscle to deal with thee giant corporations. Only government can protect us from their worst excesses.

And what is the key to controlling government?

It’s called politics. If those among us who would like to see less corruption and misconduct among elected officials would get even a little bit involved there would be wonderful changes.

What do you have to do to get a little bit involved?

You give up Dancing with the Stars for one evening and go to the next League of Woman Voters-sponsored candidates’ debate scheduled in your neighborhood. (They’re listed in your local paper. If you can’t find one, call up the League yourself and ask them what they’ve got.

When you see a candidate you’d like to vote for, introduce yourself and ask if he needs a volunteer to stuff envelopes or the like now and then. Then, if later on, you decide you don’t like it, or don’t like the candidate, you can always just walk away. It’s a free country, after all.

And the more you do of that sort of thing, the more you help to keep it that way.

Those among us who don’t want to be active in politics because it’s a dirty game just help to make it dirtier.

U.S. Rep. Joe Barton

U.S. Rep. Joe Barton

When we started this register of the offensively clownish behavior of so many of our most powerful legislators, the only claim to fame we knew of for the Texan Republican Joe Barton was that he was generally considered the most successful member of Senate or House of Representatives at collecting money from the oil companies. But then, on June 17th, the CEO of British Petroleum, Tony Hayward, was called to account for the BP disaster in the Gulf by high-ranking American Congressmen. Hayward explained that, although he was BP’s top executive, he really didn’t know anything about what his corporation had been doing in the Gulf. This drew scorn from most of the legislators, but when it came Barton’s turn he took a completely different tack.

His first words to Hayward were, “I apologize.” He went on to clarify his remarks by saying, “I do not want to live in a country where any time a citizen or a corporation does something that is legitimately wrong is subject to some sort of political pressure that is — again, in my words, amounts to a shakedown. So I apologize.”

Not everyone could successfully untangle Barton’s syntax, but no one failed to understand that an American official was offering an apology to the man in charge of the company that had delivered the most damaging blow to American interests since the destruction of the World Trade Center. Suddenly Barton had no friends left. Even the leaders of his own party were demanding he retract his remarks, so the next day he apologized to the world for his apology to British Petroleum.

By the way, although Barton was the chief beneficiary of BP’s scattering cash, he was by no means the only one. It has been said that there is hardly a judge or a legislator in the states around the Gulf of Mexico that hasn’t taken money from Big Oil — which perhaps explains something about how the oil companies got away with watering down government regulations and even, in the George W. Bush days, letting the oil companies rewrite them.

From the blog team:

Gateways, original stories inspired by Frederik Pohl, edited by Elizabeth Anne Hull

Good news, Pohl fans! Goodreads is giving away some copies of Gateways, the just-released anthology of original new stories influenced by Frederik Pohl written by some of the top sf writers in the field and edited by Fred’s wife, Elizabeth Anne Hull. The deadline for entering the contest is July 31, so sign up soon!

 
Meanwhile, Betty wrote about the book for the Tor/Forge newsletter:

To celebrate my husband’s 90th orbit of the sun, I’m proud to have persuaded eighteen of the top writers in science fiction to contribute a story, and then to write an afterword, for this special anthology. Moreover, there are nine other appreciations of Fred, and these non-fiction pieces are exciting for me and for any serious fan who wants to know more about how we got where we are today in this literary movement Trufans call SF. For example, the memoirs by Bob Silverberg, Jim Gunn, Gardner Dozois, and Harry Harrison — themselves highly influential people who helped make the genre more respectable around the world — tell as much about the field and the way it was cultivated as they do about Fred and the way he encouraged each of them personally.

Elizabeth Anne Hull. Photo by Barb Knoff.

Elizabeth Anne Hull. Photo by Barb Knoff.

The main event here, of course, is the science fiction. Joe Haldeman, Mike Resnick, Frank Robinson, Harry Harrison, and Jody Lynn Nye each wrote a superb new tale. Many of the stories are inspired, either directly or indirectly, by Fred’s own fiction, most commonly by Fred’s favorite tale — the one he claims he is willing to have engraved on his monument when he dies — “Day Million.” I was delighted to realize that Gene Wolfe wrote that kind of singularity story, set in a world in an unspecified time — presumably our future — when humans had changed so much that their very nature has to be explained, or in Gene’s case, demonstrated by his first-person narrator.

The title of Cory Doctorow’s novella leaves no doubt that he was influenced by The Space Merchants, but what he has done with the concept is entirely fresh and original, and I wouldn’t be surprised to learn that fifty years from now “Chicken Little” will have become a classic in its own right.

In Jim Gunn’s remarkable four first-person narratives of intelligent alien races, he lets the aliens reveal themselves by what they say and how they say it, and by what they each choose to tell us about themselves. I believe Jim was influenced not only by Fred’s many novels and stories in which he created original alien species but also by the many summers he and Fred spent critiquing young writers in the workshops at the University of Kansas.

Then there are some stories that are … well, Fred Pohl-ish stories, like Vernor Vinge’s piece. I was tickled to see Vernor write a story that I think Fred would be proud to have written himself.

Sometimes Fred’s influence was as an editor, when he put a writer’s work before the public. I believe Sheri Tepper’s satiric gifts were encouraged by Fred, and Ben Bova shows in his story that he understands that the sense of humor is just as important as the “sensawunda.”

This project has been a labor of love, not just for me, but also, judging from the fact that all the super-busy contributors found time to send their new works — Neil Gaiman’s coming all the way from China! — for everyone involved.

Oh, and one other thing I must mention: Fred has been nominated for a Hugo for Best Fan Writer — for thewaythefutureblogs.com. Be sure to check it out. The Master is still happily writing every day, and is currently putting some finishing touches on his newest novel, All the Lives He Led, scheduled for next spring from Tor.

This also seems a good time to remind you that the deadline for voting on the Hugo Awards is July 31 as well!

Blushing dunce

A few weeks ago, I responded to a comment by a viewer who signs himself TJIC to say, among other things, that there was a species of penguin in Antarctica which is steadily moving its breeding grounds farther and farther south. The reason it does this is to migrate to colder latitudes in order to try to avoid the warming which messes up their oceanic ice.

That much of what I said appears to be true, but then I went on to say that if the penguins went on migrating in that direction they would sooner or later reach a point so far south that the Sun would never rise at all and it would be eternally dark.

That’s ridiculous. There’s no such place. Simple geometry proves that.

I had misunderstood something my source said — I now suspect that it was something about no longer having any ice to worry about because they were now in the middle of the Antarctic continent — and written it down wrong. So now to all of you I bare my throat and say I’m sorry.

 
There’s one other thing in that dashed-off answer that needs a little elucidation. What I said was, “… at one point in history (the scientific) community believed that the Sun went around the Earth and then, not all that much later, reversed their opinion…”

That’s not exactly wrong. It’s incomplete, though. It’s not just that the world’s scientists habitually look at any two theories presented to them, the old and the new, and say, oh, yeah, that new one is more complete, more accurate and more useful than the old one, so from now on I’m with the new.

That does happen, but it’s only part of the process. The other part is that a number of scientists cling to the old theory until they die, evidence be damned. But then they do die, and the generation of new scientists that follow them grow up with that new theory already embedded in their minds.

So it’s true that at one time almost all scientists believed that the Sun orbited around the Earth, and at a later time almost all scientists believed that the Earth orbited around the Sun. But they weren’t the same scientists.

Will Sykora, left, and Willy Ley.

Will Sykora, left, and Willy Ley at the Queens Science Fiction League, 1948.

Will Sykora, along with James Taurasi and Sam Moskowitz, were the leaders of the anti-Futurian wing of New York fandom. They had way more members than we, so on votes they had no trouble cutting us off from even things that originally had been our ideas, like the 1939 Worldcon No. 1.

Willy Ley in his natal Germany was a member of the circle of early German rocket enthusiasts, including Wernher von Braun, which were largely responsible for encouraging the research which produced the V1 and V2 flying bombs. By then, however, Ley, a confirmed anti-Nazi, had escaped to America where he became a writer on that and related subjects.

Sykora had no particular connection with Ley. They just both happened to sit at the same table, and there was somebody with a camera.

* * *

The Early PohlThe Early Asimov

 
The funny story about The Early Pohl:

It was the idea of some of the Doubleday editors to publish a book of the first (and generally the worst) stories ever published by a number of sf writers, including Isaac Asimov and me. As it happened, two of Isaac’s earliest stories had been collaborations with me, and he wanted to include them in The Early Asimov. So to pay me for my contribution to the work, I received a 5-percent share of the income from Isaac’s book.

The funny, if embarrassing to me, part of it:

We kept on getting royalties on these books for some time, and in every royalty period the money from my 5-percent share of Isaac’s royalties was always more than my 100-percent share of my own.

* * *

By the way and P.S:

Did you notice how trivial were the dreadful effects of technology that I was trying to worry the reader with? From jet planes, I warned of sonic boom; from cars, the corroding of stonework.

How ignorant we were even when we thought we were cutting-edge smart!

 
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